Week ending 07 September 2019: featuring Jazzmeia Horn

The notes this  week may be a little shorter than usual but the music is still great – check it out on the Mixcloud tab as usual. There is our now regular celebratory Blue Note feature – this time from Wayne Shorter – more from the excellent Polish drummer Eryk Kuhm and his Quintessence band which includes US trumpeter Rasul Siddik, another new Polish group led by guitarist Andrzej Kowalski, jazz with some rock touches and classic jazz from Booker Ervin.

Wayne Shorter recently celebrated his 86th birthday. He is not only one of the foremost saxophonists in jazz but also one of the greatest (and most idiosyncratic) composers in the genre too. Maybe indebted to the more muscular side to Coltrane’s sound, Shorter quickly went his own way. His tone on tenor sax is pretty much unmistakeable but it is his piercing, lyrical spare sound on soprano saxophone that is really unique. In the 1970s, and playing with Joe Zawinul in Weather Report, this is what drew me to his music. You can hear it most clearly in the lovely album he recorded in partnership with Brazilian Milton Nascimento. The fragile beauty of Nascimento’s voice on Ponta de Areia is complemented by Shorter’s singular sound – a piping clarity of tone that is nonetheless warm rather than cold.  Check it out here.

As a composer, Shorter is best known for carefully conceived, complex, long-limbed, endlessly winding tunes, many of which have become jazz standards. These include this week’s tune – the title track from Speak No Evil – and many more including Footprints and Adam’s Apple.

Our featured artist this week is the wonderful US vocalist Jazzmeia Horn who, in my opinion, passes that difficult second album test. Her wide-ranging voice and the excellent instrumentalists are all there, this time performing a mix of original and other compositions. The new album Love & Liberation does not disappoint and, to make the case as to why this is another excellent record, there are three tunes from it on this week’s show.

Derek and I have both enjoyed the recent work of keyboard player and prolific producer Jamie Saft and the title track of his recent album Blue Dream is a good example. Saft is nothing if not eclectic – he’s played with everyone from Iggy Pop to Donovan, Bill Laswell to the Beastie Boys but he’s recently focused on his current jazz quartet. Their spiritual jazz outing from earlier this year, Hidden Corners, is a good place to start.

Finally, and after a couple of months training in South Korea, China and Oman, Neil is back tweaking the Cosmic Jazz website. Expect to see more extended blog notes, some featured tracks on the show and a wide range of listening choices, starting with this week’s bumper crop of ten!

  1. Eryk Kuhm Quintessence – Flip-Flop from Private Things
  2. Wayne Shorter – Speak No Evil from Speak No Evil
  3. Jazzmeia Horn – Free Your Mind from Love & Liberation
  4. Jazzmeia Horn – I Thought About You from Love & Liberation
  5. Jazzmeia Horn – No More from Love & Liberation
  6. Jamie Saft – Blue Dream from Blue Dream
  7. Andrzej Kowalski Quartet – Ogrod from Abstrakt
  8. Henry Threadgill – Black Blues from Just the Facts & Pass the Bucket
  9. Booker Ervin – A Lunar Tune from The Freedom Book

Neil is listening to…

Week ending 31 August 2019: including Maisha and more Blue Note

Quite a mixture of tunes available this week via the Cosmic Jazz show on the Mixcloud tab. There is no master plan but a few links across the tracks – and, as always, a selection of great music.

We began the show with a British jazz album that bears repeated listening – the first full length release from London collective Maisha – and we followed it with a track from vocalist Zara McFarlane.

Last week Gary Bartz was on the show after reports of his headline session at Gilles Peterson’s We Out Here Festival. At this event he was backed by Maisha (after just one rehearsal) with Zara McFarlane a backing vocalist. It seemed appropriate to play more music on the show this week. Incidentally, Gary Bartz, Dwight Trible and Maisha will appear at the London Jazz Festival on 16 November 2019 at the Royal Festival Hall, London.

From Poland, the Eryk Kulm Quintessence appeared on Cosmic Jazz for the first time. Kulm is a drummer and veteran of the Polish jazz scene. Also on the album is US trumpeter Rasul Siddik, a member of the Association for the Advancement of Creative Music (AACM) – a US group founded by pianist Muhal Richard Abrams that has featured a slew of great US jazz artists including Philip Cohran, Lester Bowie, Joseph Jarman, Amina Claudine Myers and Wadada Leo Smith – all artists we have featured over the years here on CJ. Joining Kulm and Siddik are three young Polish players who play interesting, wild and free music, with a strong voice-over at the beginning and end of the track.

The Marcin Gawdzis Quartet have appeared before. Neil commented on how much he liked the music. Marcin Gawdzis is another veteran Polish musician, a  trumpeter, composer and jazz lecturer.

The Blue Note selection this week came from pianist Andrew Hill and the title tune of his Passing Ships album recorded in 1969. Andrew Hill was not in the classic hard bop Blue Note tradition being much more unpredictable and free in his sound. His composed melodies were labyrinthine, and usually both rhythmically and harmonically complex. The result is music that is both melodic and spontaneous and rewards extended listening. Hill’s music is certainly never clichéd. On this title tune Passing Ships there is a beautiful melody from Joe Farrell on English horn, accompanied by an all star front line of Julian Priester on trombone and Woody Shaw on trumpet. Also on the album are Dizzy Reece on trumpet, Howard Johnson on tuba and bass clarinet, Ron Carter on bass and Lenny White on drums. Can it get much better than this?

Jazzmeia Horn is a vocalist whose first album A Social Call was often featured here on Cosmic Jazz. The good news is that she has a new album released called Love & Liberation with all but four of the tracks her original compositions. Horn has a bunch of A-list musicians on this new release: pianists Victor Gould (her regular accompanist) and special guest Sullivan Fortner, tenor saxophonist Stacey Dillard and trumpeter Josh Evans, bassist Ben Williams, and drummer/singer Jamison Ross. We played one tune this week, but the album will feature in greater detail on next week’s show. To end was an excerpt from the new album Blume by British collective Nerija.

  1. Maisha – Kaa from There is a Place
  2. Zara McFarlane – Freedom Chain from Arise
  3. Eryk Kulm Quintessence – The Morning After from Private Things
  4. Marcin Gawdzis Quartet – Ballad for G from Mind Recovery
  5. Andrew Hill – Passing Ships from Passing Ships
  6. Jazzmeia Horn – Legs and Arms from Love & Liberation
  7. Nerija – Nascence from Blume

Derek is listening to….

 

Week ending 24 August 2019: Gary Bartz and the Komeda Quintet

There were only five tunes played on the show this week – but all were exceptional. Here on Cosmic Jazz we can play tracks of any length – and so we did on this occasion.  Click the Mixcloud tab for an hour of delight.

The first track was a comparatively short one. I have been wanting to play The Elder Statesman again – twin brothers and Wellington, NZ fixtures Christopher (piano) and Daniel (double bass) Yeabsley with producer Lord Echo on percussion and drums. One side of the 7″ single was on the show a few weeks back and the other one – Trans-Alpine Express – featured this week. We love this record. Check out Lord Echo’s own releases including the excellent Harmonies album from 2017 which features vocalist Mara TK on a number of tracks.

Saxophonist Gary Bartz had to feature after receiving a most enthusiastic report from one of my sons regarding his performance at Gilles Peterson’s inaugural We Out Here festival, held near Cambridge, UK. Bartz was backed apparently by Cosmic Jazz favourites Maisha – and apparently playing after just one rehearsal. Sounds amazing. The record chosen this week has a much younger-looking Gary Bartz as leader of his Ntu Troop at the Montreux Jazz festival in July 1973. The stories tell that it was a blistering uninterrupted 80-minute set  of conscious, Afrocentric and spiritual music with Hubert Eaves on piano, Stafford James on bass and Howard King on drums. Forty-six years later it sounds as if he can still deliver to similar effect.

Last week the show included music that paid tribute to the legendary Polish pianist and composer Krzysztof Komeda. This week it was a long 23.08 minutes of music directly from the Komeda Quintet and their 1965 album Astigmatic. This has been described as one of the very best jazz albums made in Europe. It also marked a move away from an American sound to a distinctly European one and thus became an inspiration for future European musicians.  The Quintet included Tomasz Stanko on trumpet who went on to gain international fame in his own right. The music is complex and deep and it is easy to see why it has inspired particularly so many Polish jazz musicians, but also musicians from other countries, to this day.

One of the musicians from outside Poland who pays respect to Komeda is Edward Cawthorne (aka Tenderlonious) whose band Ruby Rushton include a Komeda tune on their latest album Ironside. It’s dedicated as a requiem to Komeda and is indeed a worthy tribute. We really like this new record here on Cosmic Jazz and will continue to play more music from it in coming weeks – hence the inclusion of Lara’s Theme (alternate take) on this week’s show.

We are currently celebrating 80 years of Blue Note Records here on Cosmic Jazz. We may think of Blue Note as something of a heritage label, but in the hands of new boss Don Was it’s a thriving and ever more contemporary concern. There’s an ambitious re-release programme (including the excellent audiophile vinyl reissues through the Tone Poet series) but Blue Note continues to sign new artists making waves in contemporary jazz. One such is trumpeter Ambrose Akinmusire – an artist who favours long album and song titles. Confessions to my Unborn Daughter is from his 2011 album When the Heart Emerges Glistening – see what we mean! – and this was the final track in this week’s show.

  1. The Elder Statesman – Trans-Alpine Express from 7″ single/download
  2. Gary Bartz Ntu Troop – Jujuman from I’ve Known Rivers and Other Bodies
  3. Ruby Rushton – Lara’s Theme (Alternate Take) from Ironside
  4. Komeda Quintet – Astigmatic from Astigmatic
  5. Ambrose Akinmusire – Confessions to my Unborn Daughter from Where the Heart Emerges Glistening

Week ending 17 August 2019: Komeda connections

The programme this week links the interests of Polish and British musicians as well as going back to some classic Blue Note tracks in a significant anniversary year. All these wonderful jazz sounds are available via the MixCloud tab (left).

As promised the previous week, there was another play for the joyous, uplifting tune from one of my favourite musicians –  trumpeter Piotr Wojtasik. The vocalists create a soulful and gospel feel and their pleas to Stay in the Time Freedom  provide a message that is as inspiring as the music. If you have not discovered the music of Piotr Wojtasik, you need to check him out.

One of the greats of Polish jazz was Krzysztof Komeda, a pianist and composer who became well known outside Poland for his compositions for films. He has inspired many Polish musicians who followed him but also, it would appear, British musicians as well. The show has two examples of Komeda connections. First came veteran Polish sax player Jan Plaszyn Wroblewski. He played with Komeda’s band and has a recent album with Komeda in the long title (in Polish understandably) and from that CJ included a title with Komeda in it. Probably more surprising is that my current favourite British release from Ruby Rushton. in an album of otherwise original compositions. includes a tune composed by Komeda. They have dedicated it as a Requiem for Komeda. It is an outstanding interpretation, intense, soulful and spiritual. I love this new Ruby Rushton album, and so included one more track on this week’s show.

There was another play for the Petera Sextet – this time for the title tune from their album Flashover. Dariusz Petera is a pianist and composer with a sextet that includes a cellist. He aims to give space and time for all the musicians to express themselves and that was apparent in the title tune.

2019 marks the 80th anniversary of the iconic jazz label Blue Note. It is time to celebrate this and there will be more in future shows. This week had two examples. Firstly, came a 1960 recording from alto player Jackie McClean Appointment in Ghana recorded in 1960. The sound is celebratory and that reflects the purpose, namely to pay tribute to Ghana, the first of the newly independent African states. The tune was first released on Jackie’s album Jackie’s Bag but also featured on an excellent 2008 Blue Note compilation African Rhythms.

The second Blue Note tune was an original McCoy Tyner compostion, found on the superb 1967 album The Real McCoy. It has quite a line-up: Tyner on piano, Ron Carter on bass, Joe Henderson on tenor and Elvin Jones on drums. We love the much less well known version of this tune by Mal Waldron and Marion Brown and so we ended the show with a repeat play of this rarity.

  1. Piotr Wojtasik – Stay in the Time Freedom from Live at Akwarium
  2. Jan Plaszyn Wroblewski Sextet – Komeda in Wazyk Circus from Komeda Moja Slodka Europejska Ojezyzna
  3. Ruby Rushton – Pingwin (Requiem for Komeda) from Ironside
  4. Ruby Rushton – Eleven Grapes from Ironside
  5. Perera Sextet – Flashover from Flashover
  6. Jackie McClean – Appointment in Ghana from Jackie’s Bag
  7. McCoy Tyner – Contemplation from The Real McCoy
  8. Mal Waldron and Marion Brown – Contemplation from Songs of Love & Regret

 

Week ending 10 August 2019: new jazz from Poland and more

There is plenty of new music on the show this week from the usual places: Poland, the UK and the USA. All good stuff too and well worth a listen via the Mixcloud tab on this page.

My favourite current record has to be the album Ironside by UK band Ruby Rushton. I seem to remember hearing that Ruby Rushton is named after a grandparent of the band’s leader Edward Cawthorne (aka Tenderlonious). He is a flute and soprano sax player and is supported on this new album by Nick Walters on trumpet (who has his own excellent album Awakening out now). We’ll play as soon as we can. Joining Walters and Tenderlonious are Dan Shepherd on keyboards and Tim Carnegie on drums. The album is one of those that fits together seamlessly: as they used to say, ‘all killer, no filler’.  Tenderlonious has shown some restraint in his song titles here: only our chosen tune this week – Lara’s Theme (Alternate Take) – uses a well known title (but it’s not composed by Maurice Jarre). On the excellent On Flute EP, Tenderlonious had titles like Autumn Leaves (not Kosma/Mercer),  Song for My Father (not Horace Silver) and In a Sentimental Mood (not Duke Ellington)! This album is highly recommended to all lovers of the music we play on the show. We will play more.

The next album featured on the show I am not so sure about. UK group Nerija have just had their first album  Blume released. It has received considerable fanfare e.g. record of the day on BBC6 Music, much praise on the cool twitter scene and from the cognoscenti on the new jazz scene. The music is good, but in my opinion, not as good as some of the praise would indicate. There is some thing that really irritates, though, as one who has forked out a considerable sum for the supposedly double vinyl. There are two records of  “limited crystal clear heavyweight vinyl” (an unnecessary sop to cool consumerism if ever there was one) yet there are only three sides of music. I feel cheated. Rather have more more music than the aforementioned vinyl.

There was some self-indulgence in terms of playing more tunes that I really like. There have been several tunes played on the show from Polish trumpeter Piotr Wojtasik. If you have never heard him check out the music and Steve’s Jazz Sounds has many of his records available. The tune this week Stay in Time of Freedom was different from much of his music in that it includes vocals from Anna Maria Mbayo and Magdalena Zawartko. It is such a joy with its uplifting tune and vocals, thinking of playing it again next week!

The other was another airing from The Elder Statesman and Montreux Sunrise,  a tune released as a  download and 7″ single (with two sides I should add!) The group from New  Zealand are led by Lord Echo on piano and the tune has a warm feel that makes you move in a gentle and joyful way. It was one of those tunes which when we played it while DJing at a street fair earlier in the summer, soon brought an enquiry as to who was playing. It sounded great in the street.

There was another short funky/soulful/jazzy piece from the US band with one of the most eccentric names – Lettuce, available on their recently released album Elevate.

There was new jazz from Poland.  There was a first play on the show for t he Petera Sextet from their debut album Flashover. They are led by the young pianist/composer Dariusz Petera who studied in Warsaw. His compositions and improvisations are aimed to bring out the best of the five other members of the group playing cello, trumpet, saxophone, double bass and drums. Lovely music it is too and we shall play more of that as well. There was also another tune from the quartet led by alto player Wojciech Lichtanski; the title tune of their album Iga.

  1. Ruby Rushton – Lara’s Theme (Alternate Take) from Ironside
  2. Nerija – Equanimous from Blume
  3. Piotr Wojtasik – Stay in Time of Freedom from Live at Akwarium
  4. The Elder Statesman – Montreux Sunrise from single
  5. Lettuce – Ready to Live from Elevate
  6. Petera Sextet – Nordic Jente from Flashover
  7. Wojciech Lichtanski – Iga from Iga

Week ending 03 August 2019: many places, different musics

For the last few weeks Neil has been making the Cosmic Jazz selections, but this week it was back to Derek – although Neil was very much a presence as many of the tunes were his choices. This week’s show visited different parts of the world, past and present and the music reflected that diversity. Give it a listen via the Mixcloud tab (left).

We began by catching up on more jazz from continental Europe recently made available from the excellent Steve’s Jazz Sounds. Our first stop was Poland, with superb music from yet another alumni of the Katowice Academy of Music. Wojciech Lichtanski is an alto player who leads a jazz quartet and a very interesting one too. As a teenager Lichtanski won classical competitions and the music is clearly both composed and improvised. There are strong melodies, but also unexpected contrasts with interesting pauses and changes of direction. Lichtanski has played with one of our favourite musicians from Poland Piotr Wojtasik – surely credit enough? – and he’s also appeared at the Delhi Jazz Festival.

Mark Lotz is a veteran German alto/flute player resident in the Netherlands. He leads a trio with two Polish musicians on acoustic  bass and drums and their debut album, from which Raaste Men is taken, was an impromptu recording made while he gave a masterclass in Wroclaw, Poland. The record was then mixed back in the Netherlands. Raaste Men appears to be translated as ‘people screamed’ – but perhaps a Dutch speaking listener can clarify for us…

I have often heard people refer to “African music”. My response is the same as if they were talking about the music of any continent. How on earth (literally) could we encapsulate the music of Europe or Asia into any one style? We need to know much more – what sort of music, which part of that huge continent does it come from, and when was it recorded? The truth is – of course – that there are as many styles of music on the African continent as there are on any of our inhabited continents.So, not surprisingly, there is very little in common between the two tunes from the African continent played on this week’s show. This is Bolga Part I & II is actually a collaboration between the Bolga All-Stars from Bolgatanga, Ghana and the Polyversal Souls from Germany – but very much reflects the music of  the Bolgatanga area in the north of Ghana. The second is from the veteran and  outstanding pianist from South Africa, Abdullah Ibrahim. His music has long combined the traditional sounds of the South African townships with jazz and gospel. He has made albums over a period of sixty years but now has a new album released, four years since the last one. The Balance has ten tunes, nine of which are Abdullah Ibrahim originals. This has to be one of the significant releases of 2019. The August 2019 edition of Jazzwise Magazine has a feature on Abdullah ibrahim and this new album.

From South Africa, we crossed continents to Brazil and to Marcos Valle from his new album SempreYou could easily be mistaken into thinking that the next tune was also from Brazil given the name of the artists but while Azymuth are the group from Brazil, Azimuth were a trio from the UK formed in the 1970s with Kenny Wheeler on trumpet and flugelhorn, John Taylor on piano and synths and Norma Winstone using her often wordless vocals to ethereal effect. Azimuth recorded three albums for ECM Records, now collected into a box set and highly recommended by us here on CJ. The Tunnel has vocals that float to another plane, appropriate as that tune is also on a compilation assembled by DJ, producer and – yes – neuroscientist Sam Shepherd (or Floating Points) for the latest in the Late Night Tales compilations. The album is full of unusual choices that reflects and eclecticism someway beyond our own here on Cosmic Jazz – recommended nonetheless.

The show ended with two tunes from jazz greats. From time to time, we like to include tunes from essential albums on the show. Few are more essential to any jazz collection than Saxophone Colossus from Sonny Rollins. Recorded as long ago as 22 June 1956 it still sounds as fresh as ever with Rollins on tenor, Tommy Flanagan on piano, Doug Watkins on bass and Max Roach on drums. In the past I have played the Caribbean-influenced St. Thomas but this week it was Strode Rode. To end the show we went back to that excellent selection of Black Saint and Soul Note records and the title track from Archie Shepp’s Down Home New York album from 1984.

  1. Wojciech Lichtanski – First Questions from Iga
  2. Mark Lotz Trio – Raaste Men from The Wroclaw Sessions
  3. Bolga All-Stars & the Polyversal Souls – This is Bolga! Parts I & II
  4. Abdullah Ibrahim – Jabula from The Balance
  5. Marcos Valle – E Voce from Sempre
  6. Azimuth – The Tunnel from Late Night Tales – Floating Points
  7. Sonny Rollins – Strode Rode from Saxophone Colossus
  8. Archie Shepp – Down Home New York from You Need This: An Introduction to Black Saint & Soul Note 1975-1985

Week ending 28 July 2019: jazz old and new

This week’s CJ paid another visit to some of the more obscure corners of jazz and featured another selection of great tunes, both old and new. We began with more from guitarist Jack Wilkins’ Windows album but this time a take on Wayne Shorter’s Pinocchio, a track that initially featured on Miles Davis’ Nefertiti from 1968 and then again ten years later with Weather Report on the Mr Gone album. Drummer Makaya McCraven is no stranger to Cosmic Jazz but we haven’t featured much from his most recent album, recorded live in London in 2017 and featuring Soweto Kinch on saxophone, Theon Cross on tuba, Joe Armon-Jones on Fender Rhodes, Nubya Garcia on saxophone and Kamaal Williams on keys – the cream of new British jazz talent.

Two great tracks next, with the first from a favourite alto sax player, Art Pepper. The raw, lived-in sound of his later recordings reflect a life of hardship and addiction which began with alcoholic absent parents – a 14 year old runaway mother and an absent merchant seaman father. It’s perhaps not surprising that the young Pepper quickly picked up a serious heroin habit that saw him for extended periods in jail in the 1950s and 60s. The title of one of his best albums Straight Life was also the title of his biography, written by his devoted wife Laurie. The title track is a classic late Pepper composition, recorded many times throughout his later career. Our recording is not easy to get hold of and comes from one of the many recordings compiled by Laurie Pepper following his death in 1982. The band is one of Pepper’s best – pianist George Cables, bassist David Williams and drummer Carl Burnett. This live concert was recorded in Japan in 1981, the year before Pepper’s death and is a superb performance throughout with ace versions of Body and Soul, Besame Mucho and Mr Beautiful. So many of these later Pepper albums are stunning and one of the very best is a 4CD set of the complete Ronnie Scott residency in 1980. If you can find it on vinyl you’ll need £140 or so although it’s still available on CD for £55… The recording quality is great and Pepper is superb throoughout.

Flautist James Newton should be much better know. His album The African Flower is a unique take on seven Duke Ellington songs and again features an all star band – violinist John Blake, alto player Arthur Blythe, cornetist Olu Dara and more. The 11 minutes of Virgin Jungle is a highlight. Good luck with finding this one!

Our fifth track was from another under-recorded jazz artist, the alto player Azar Lawrence. His 2014 album, The Seeker, is a really good demonstration of his spiritual jazz credentials and is one of several albums released since 2007 in something of a musical renaissance. Up next was a bona fide classic and now pretty much a contemporary jazz standard. Chick Corea’s Spain is – like Rodrigo’s Concerto de Aranjuez – an ode to the country and, indeed, the tune opens with a direct quote from Rodrigo. The song has gone on to be recorded by many greats including Art Farmer, Rare Silk, Stevie Wonder and Al Jarreau. And finally, another great track from a pioneering contemporary label, Soundway Records – African Vibration’s Hinde in a remixed version by Julien Dyne. Glorious!

  1. Jack Wilkins – Pinocchio from Windows
  2. Makaya McCraven – Run ‘Dem from Where We Come From
  3. Art Pepper – Straight Life from The Complete Abashiri Concert
  4. James Newton – Virgin Jungle from The African Flower
  5. Azar Lawrence – Venus Rising from The Seeker
  6. Chick Corea – Spain from Light as a Feather
  7. African Vibration – Hinde (Julien Dyne rework)

Derek is listening to    

  1. Lacksley Castell – Mr. Government Man
  2. Misty in Roors – Oh Wicked Man
  3. Sonny Rollins – Way Out West
  4. Ben Comeau Ensemble – A Song of Innocence & Experience – Dark Sacred Nights
  5. Ruby Rushton – Moonlight Woman (Studio Session)

Week ending 21 July 2019: obscure jazz rarities

More jazz from Neil this week but, instead of the more typical new music, we have a bunch of classic vinyl tracks – some of which have not be reissued in any format and others which are simply hard to find. You can hear the show this week by clicking on this direct Mixcloud link.

In the week celebrating the first manned moon landing 50 years ago we thought it right that we should begin in a cosmic vein with the man from Saturn (or so he claimed) – Sun Ra. In fact, the track we featured was titled Neptune but, hey, it’s still galactic music. You can now find this on the Discipline 27-II album from 1973 which has been a previous Record Store Day release. It’s also been sampled in one of the tracks Neil has chosen for his listening choices this week (see below), and interestingly that sample was by the French band Motorbass, featuring the late Philippe Zdar who died tragically last month.

Up next was a classic from Herbie Hancock. Nobu is a keyboard tour-de-force taken from a live solo album which was initially released only in Japan. Another Record Store Day Exclusive – this time from 2019 – there were only 3000 copies of Dedication pressed worldwide. It’s a solo Hancock release recorded live in Tokyo and features versions of Hancock classics Maiden Voyage, Dolphin Dance and Cantaloupe Island.

Onwards with more obscure music but this time  from the legends that are the Art Ensemble of Chicago. The track Charlie M is from their ECM album Full Force, and is a heartfelt tribute to bandleader and bass player Charles Mingus. It’s probably the standout track on a highly recommended album that displays the full talents of all original members of this extraordinary band. The AEC are about to release a new album with their two surviving members – Roscoe Mitchell and Famoudou Don Moye.  Look out for it.

We went full on electric jazz with the next two tracks: first guitarist James ‘Blood’ Ulmer and a cut from his Freelancing album, the first of three he recorded for Columbia. These three albums could form a core collection of Ulmer’s work on their own and are all worth tracking down. It’s a great group that Ulmer’s working with here – David Murray on tenor sax, Calvin Weston on drums and Amin Ali on bass. You’ll also hear Oliver Lake, Olu Dara and Ronnie Drayton.  The next track increased the guitar quotient to four -and they were just part of a fourteen piece band that has Wadada Leo Smith’s trumpet at the heart of it. The full track is a 20 minute + piece and you heard an edit that captures the sheer power of this music. It’s a power-drenched, locked-down funk track that is less like Don Cherry and more like the 1970s experiments of Miles Davis on his Agharta and Pangea recordings. If you like this music then it will be worth checking out Wadada Leo Smith’s recreations of that Miles Davis era on three albums he recorded with guitarist Henry Kaiser in the Yo Miles! project. These really do extend that unique Milesian soundworld – try this version of Will which features the superb guitarist Nels Cline.

Music in a more reflective mood came with one of the jazz world’s great bass players, Buster Williams. Known for a long association with Herbie Hancock, Williams has sporadically recorded albums as a  leader too, perhaps the most notable being his first – Pinnacle in 1975, from which the track Batuki is taken. Alongside Williams is Onaje Allan Gumbs on keyboards, Sonny Fortune on soprano sax, Woody Shaw on trumpet and Billy Hart on drums. It’s a great lineup and an excellent album.

Don Pullen is a personal jazz hero of mine. With an utterly distinctive piano style that veers between the dramatically free and the lyrically inventive you can’t mistake his style. Our choice came from the 1989 Blue Note record New Beginnings, one from late in Pullen’s career and a great introduction to his music. It’s a powerful trio record with Gary Peacock on bass and Tony Williams on drums and the CD features this bonus track, Silence = Death.

We ended this week’s show with a beautiful track that was clearly familiar to us from another version. Contemplation is actually a McCoy Tyner composition from his album The Real McCoy, but you heard an excellent version from two undersung jazz players – Mal Waldron and Marion Brown from their long out of print album Songs of Love and Regret. Compare it with Tyner’s original composition right here.

  1. Art Ensemble of Chicago – Charlie M from Full Force
  2. Herbie Hancock – Nobu from Dedication
  3. James ‘Blood’ Ulmer – Where Did All The Girls Go? from Freelancing
  4. Wadada Leo Smith – Don Cherry’s Electric Sonic Garden (edit) from Heart’s Reflections
  5. Buster Williams – Batuki from Pinnacle
  6. Don Pullen – Warriors from New Beginnings
  7. Mal Waldron/Marion Brown – Contemplation from Song of Love and Regret

Neil is listening to…

Week ending 14 July 2019: all new music show!

This week’s Cosmic Jazz featured all new music from Neil, back from Singapore for a few weeks. Check out the sounds by clicking the Mixcloud tab (left). Most of the tracks played have been released in the last few weeks, with our featured album the latest from Brazilian icon Marcos Valle. We began with one of the many standout tracks from his new album Sempre (translated as Ever in Portuguese): Odisseia begins with a drum break lifted from Stevie Wonder’s Superstition and then goes on to reflect the full gamut of his recent revival with one of our favourite labels, Far Out Records. Production on this album is from Daniel Maunick, son of Bluey from the UK’s finest funk band, Incognito, and that Azymuth-like sound reflects the presence of their long-serving bassman, Alex Malheiros.

Up next was another brand new release – this time from prolific pianist and man with the longest beard in jazz, Jamie Saft. His new album has a definite spiritual jazz vibe and Saft is ably abetted by an outstanding quartet of deeply exploratory musicians: Saft, longtime collaborator Bradley Jones on bass, the wide-ranging drummer/percussion master Hamid Drake, and legendary saxophonist David Liebman, whose most famous tenure was with Miles Davis in the 1970s. This is a fine album and it’s a great introduction to Saft’s extensive catalogue.

UK keys player Joe Armon-Jones is making big waves at the moment with an eagerly-awaited second album coming up on the horizon. Perhaps as a taster, he’s just released a download and 10 inch single called Icy Roads (Stacked) and – as the cover art suggests – it has more than a nod to Thrust-era Herbie Hancock. We like the confidence that exudes from this track – the Rhodes piano is well to the fore (just as on Valle’s Odisseia) – and we’re looking forward to the new album. Armon-Jones is currrently on tour in the UK and will be at Gilles Peterson’s new We Out Here festival in Cambridgeshire from 15 August.

Recently re-issued on vinyl is the excellent album Windows from Jack Wilkins, first released on the Mainstream label in 1973. Wilkins is an undersung guitarist who could easily have been as successful as – for example – Gabor Szabo – but although he has released a number of albums and appeared as a sideman on many recordings, most people won’t have heard of him. Windows has now be re-issued by Wewantsounds label and it’s well worth a listen. It’s a mix of covers (including our featured track, Freddie Hubbard’s Red Clay) and originals, with Red Clay being noted for its use as a sample – most notably on the superb Midnight Marauders album from A Tribe Called Quest.

Phil Ranelin is noted as the trombone playing leader of The Tribe, a Detroit avant garde jazz ensemble devoted to raising black consciousness, alongside this co-founding Tribe Records and releasing several albums as a leader in the 1970s. The Tribe project ended but interest in Ranelin has resurfaced in recent years and he’s now back in the UK and working with one of our longtime CJ friends, UK drummer and producer emanative. The track we featured is – like the Armon-Jones tune – a download and 7 inch single and currently available on Bandcamp before the launch of the new album. Like other emanative projects, all proceeds will go to Gilles Peterson’s Steve Reid Foundation, of which Nick Woodmansey (emanative) is a trustee.

Time Grove are one of the many interesting bands we have come across through Bandcamp. Hailing from Tel Aviv, Time Grove are a collective guided by pianist Nitai Hershkovits alongside one third of Buttering Trio, and newly signed Stones Throw recording artist, Rejoicer. Their sound is varied track to track – delicate yet powerful; sonorous yet uplifting. The full line-up also features reed player Eyal Talmudi, drummers Roy Chen, Amir Bresler and Sol Monk, keyboard master Bemet, trumpeter Sefi Zisling, and guitarist Yonatan Albalak. Find out more on their Bandcamp page right here.

It was back to Marcos Valle for another tune from the new album. This time featuring Valle’s distinctive vocals and some lovely summery guitar, Alma (or Soul) is a further indication that this album is perfect summer listening – even if you’re not on a Rio beach with a caipirinha.

Our penultimate track is something of a curiosity, but one that’s worth listening to. It’s from pianist Randy Weston who we’ve featured on the show in recent week. Uhuru Afrika is an album  recorded in 1960 and originally released on the Roulette label and it features lyrics and liner notes by the poet Langston Hughes. It was banned in South Africa in 1964 (as was the more celebrated Freedom Now Suite from Max Roach) and it’s one of the finest (and earliest) combinations of African rhythms with jazz in a 24-piece big band that includes 14 horns, one guitar, two bassists, three drummers, and three percussionists. Martha Flowers and Brock Peters took vocals on our featured track African Lady, with Melba Liston responsible for the charts. The orchestra featured Clark Terry, Slide Hampton, Yusef Lateef, Shahib Shihab, Kenny Burrell, Max Roach and Babatundi Olatunji. The album has been made available once more on vinyl and you can find it here on Cornbread Records.

We ended CJ this week with an intriguing piece from Gamelan Semara Ratih, probably the finest gamelan orchestra in Ubud, Bali. The story behind this music is worth exploring: Lapanbelas is Bahasa Indonesian for ’18’ and this music is a gamelan interpretation of the Steve Reich composition Music for Eighteen Musicians, which was introduced to Semara Ratih by Evan Ziporyn, a New York musician studying in Bali. The music is now performed on a bi-weekly basis by the group at their regular concerts in Ubud. You can download the full track right here on Bandcamp.

  1. Marcos Valle – Odisseia from Sempre
  2. Jamie Saft Quartet – Hidden Corners from Hidden Corners
  3. Jack Wilkins – Red Clay from Windows
  4. Joe Armon-Jones – Icy Roads (Stacked) from 10in single
  5. Phil Ranelin and emanative – Vibes from the Tribe from 7in single
  6. Time Grove – Second Attention from More Than One Thing
  7. Marcos Valle – Alma from Sempre
  8. Randy Weston – African Lady from Uhuru Afrika
  9. Lapanbelas (18) – Gamelan Semara Ratih from Lapanbelas (download)

Neil is listening to…

Week ending 07 July 2019: jazz from Poland and more

This week’s pre-recorded show  was a mix of old and new, local and global. Some great sounds – and definitely worth checking out via the Mixcloud tab.

If I want to hear a piece of music that is deep, serene, calm and beautiful I would be hard pushed to find anything to surpass Peace Piece by pianist Bill Evans. The title made an  important statement for the time it was released in 1958. A  German CD re-release includes an excellent re-working of Peace Piece entitled Some Other Time and it was this wonderful tune that opened the show.

Sensitive piano playing was well to the fore in the RGG tune Tenderness from their album Memento. RGG are a young group, whose achievements have been recognised in their homeland Poland and this album has been up there as one of the current Cosmic Jazz favourites for several weeks.

The piano feature was completed by Cuban pianist Harold Lopez-Nussa and his trio. Their album Un Dia Cualquiera was recorded in Boston USA for Mack Avenue, a US label, but Cuba remains their base.

The Piotr Schmidt Quartet are also from Poland. The leader is a trumpeter with a PhD in music from Katowice. The tune 21 Grams comes from a tribute album to Tomasz Stanko, one of the greatest and probably most well-known Polish trumpeter both inside and outside Poland..

The Janczarski-McCraven Quintet is a Polish/US fusion band. Boris Janczarski is a Polish sax player who first graduated in law in France and then, under the guidance of another great Polish jazz musicianPiotr Wojtasik, became a jazz artist. Steven McCraven is a drummer from the USA and the father of drummer Makaya McCraven – currently winning many admirers in the US and the UK and a firm Cosmic Jazz favourite.

There is always room for US  jazz greats on the show and none more so than the spiritually uplifting Cannonball Adderley. There is room also for promising newcomers such as bass player Ameen Saleem and the more established but still contemporary Lettuce, whose single Krewe has been another programme favourite. To end there was a glimpse of the Hypnotic Brass Ensemble who combine both the traditional and the contemporary in US music – literally in the personnel (Kelan Philip Cohran & his six sons) and the style of music.

  1. Bill Evans – Some Other Time from Everybody Likes Bill Evans
  2. RGG – Tenderness from Memento
  3. Harold Lopes-Nussa – Contiga en la Distancia  from Un Dia Cualquiera
  4. Piotr Schmidt Quartet – 21 Grams from Tribute to Tomasz Stanko
  5. Janczarski & McCraven – Travelling West from Travelling East-West
  6. Cannonball Adderley – Space Spiritual from Walk Tall
  7. Ameen Saleem – Possibilities from Groove Lab
  8. Lettuce – Krewe  single from album Elevate
  9. Kelan Philip Cohran & the Hypnotic Brass Ensemble – Apsara from Kelan Philip Cohran & the Hypnotic Brass Ensemble

Derek is listening to…..

Neil is listening to…

 

 

 

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