Category Archives: Playlist

Week ending 17 March 2018: Latin connections








We often talk on Cosmic Jazz about the connections between jazz and Latin music and the musicians who play both forms of music either separately or as a fusion. The show this week has some fine examples of music to illustrate this. Just click the MixCloud tab (left) to listen and enjoy.

The double album Familia released at the end of last year says it all. This is a  celebration of tradition and innovation in Afro-Latin jazz featuring the music of three generations: the grandfathers – Bebo Valdes and Chico O’Farrill – some of whose compositions and arrangements are to be found on the album and the musicianship and compositions of the sons – Chucho Valdes and Arturo O’Farrill. And that’s not forgetting the grandchildren – Jessie and Leyanis Valdes and Adam and Zack O’Farrill. It’s a family affair as Sly Stone once said. We featured two contrasting tunes from the album – Con Poco Coco which translates to with little coconut or with little money features the sons Arturo and Chucho on piano and grandson Adam O’Farrill on trumpet. It is a classic up-tempo latin jazz excursion and is in contrast to the next track, Recuerdo. This translates as memory but it veers more towards musicians of Latin heritage playing jazz. Grandchildren Jessie and Leyanis perform on piano and drums respectively with Jessie as composer and arranger.

Fredrik Kronkvist is another of the musicians introduced to us by Steve from Steve’s Jazz Sounds. He is a superb alto sax player, born in Sweden but now  New York-based where he has been able to play with and be joined by other first-rate musicians.  His repertoire is a wide one, ranging from innovative compositions, to standards – and now to Afro-Cuban music.  Not surprisingly, Kronkvist is inspired by Dizzy Gillespie who did so much to popularise the links between jazz and Latin music. He chose 2017 – the centenary of Dizzy’s birth – to release this album.

There was a final acknowledgement of classic Afro-Cuban music with a tune from an artist we have turned  to frequently on Cosmic Jazz. Percussionist Manny Oquendo was a long time member of Eddie Palmieri’s La Conjunto Perfecta band before he left to lead the quintessential New York Latin band Libre. Oquendo was born in Spanish Harlem, Brooklyn, to parents of Puerto Rican heritage and his three 1990s albums for the jazz label Milestone are all worth getting hold of. Mejor Que Nunca includes our featured track – a latin take on Kurt Weill’s jazz standard Speak Low.

Some aspects of Brazilian music also have close links to jazz and many musicians, such as Airto Moreira and Hermeto Pascoal have  have played across the genres and fused them. Indeed, Miles Davis called Pascoal one of the most important musicians on the planet and for a while he featured on some of Miles’ 1970s albums including Live Evil. This week we featured another Hermeto Pascoal track from the recently released  Viajando Com o Som: the Lost ’76 Vice-Versa Studio Session released by UK-based Far Out Records. It is another long tune that builds intricately and emotionally. Hermeto – who contributes electric piano, flute and voice to this album – was quite simply an innovative genius.

There was time for one more Brazilian tune from Neil’s selections – this time vocalist Patricia Marx featuring Seu Jorge on the excellent compilation Tokyo Moon put together by Japanese DJ Toshio Matsuura.

At this point the show moved away from Latin influences but saw the return of Fredrik Kronkvist in one of his other guises with an uplifting tune from his album On The MoveHe calls upon some influential musicians, as the album features in-demand Swedish bass /piano player Martin Sjostedt. I presume he plays piano as bassist Ameen Saleem, whose album released last year we featured on Cosmic Jazz, is also featured as is drummer Gregory Hutchinson.

Next was a touch of class from a duo of two classic jazz musicians on classic jazz label Impulse. Pianist Kenny Barron and bassist Dave Holland on their duo album The Art of Conversation play with all the subtlety, beauty and devotion that players of their experience can bring. The album features compositions by both of them as well as a couple of standards. Another of Neil’s choices and one I had previously missed. Finally, there was time for an excerpt from one of our favourite Polish musicians of the moment, sax player Marcin Stefaniak and his trio – we’ll return to this new album in upcoming shows.

  1. Arturo O’Farrill and Chucho Valdes – Con Poco Coco from Familia
  2. Jessie and Leyanis Valdes – Recuerdo from Familia
  3. Fredrik Kronkvist – Gillespiana from Afro-Cuban Supreme
  4. Manny Oquendo and Libre – Speak Low from Mejor Que Nunca (Better Than Before)
  5. Grupo Vice Versa and Hermeto Pascoal – Danca do Paje from Viajando Com o Som: the Lost ’76 Vice Versa Studio Session
  6. Patricia Marx feat. Seu Jorge – Espelhos d’Agua from Tokyo Moon
  7. Fredrik Kronkvist feat .Martin Sjostedt, Ameen Saleem and Gregory Hutchinson – Glowing from On the Move
  8. Kenny Barron and Dave Holland – The Oracle from The Art of Conversation
  9. Marcin Stefaniak Trio – Proxima Centauri from Unveiling

Derek is listening to…..

  1. Luciano – Its Me Again Jah
  2. Maisha – The Night Trance
  3. Binker and Moses – The Departure
  4. Mark Murphy – Speak Low
  5. George Frideric Handel – Israel in Egypt

Week ending 10 March 2018: new music, a tribute and freedom fighters







This week’s Cosmic Jazz began with two trumpeters. The first was our favourite Polish trumpet player, Piotr Wojtasik, opening the show with joyous and uplifting exclamations of freedom from his new album Tribute to Akwarium, the name of a celebrated jazz club in Warsaw. Wojtasik is so good – and has the past experience to prove it. Jazz musicians from Poland should not be judged by the number of US jazz giants they have played, with but I cannot avoid saying that you have to take notice of someone who has played with the likes of Dave Liebman, Gary Bartz, Reggie Workman, Vincent Herring and Billy Harper.

The second trumpeter spent his life involved in the fight for freedom and it is time that we acknowledged his death in January this year. Hugh Masekela, was born in South Africa, has been described as “the father of African jazz” and played with another doyen of the continent’s jazz scene, Abdullah Ibrahim in the Jazz Epistles bandMasekela was an important figure in the Anti-Apartheid  Movement and composed songs for it. He had to leave South Africa firstly for the UK, then the USA, to study music settling in New York. There was even a US pop hit with Grazing in the Grass and an interesting trumpet contribution to that short piece of perfect pop by The Byrds, So You Want To Be A Rock’n’Roll Star. It is, however, as a jazz trumpeter inextricably linked to the struggles for freedom and liberation in South Africa and across the African continent that we here on Cosmic Jazz choose to remember him. Out track came from one of Masekela’s very best albums – and one recorded in London in 1972. Home is Where the Music Is was released as a double LP on Blue Thumb and was a move way from his more pop-oriented jazz records of the ’60s. Masekela wanted to create a fusion of the rhythms and melodies of his native South Africa and the more spiritual, soul-driven explorations occurring in American music at the time on labels like Strata East, Tribe, and Black Jazz. The South African and American quintet he assembled for the date is awesome. It included the South Africans saxophonist Dudu Pukwana and drummer Makaya Ntshoko along with American pianist Larry Willis and bass player Eddie Gomez who was then playing with Bill Evans. Part of the Whole opens the set with Willis on Fender Rhodes setting a blues groove that is equal parts soul-jazz and South African folk melody. The horns come in and Pukwana takes a typically fiery solo before Masekela answers on flugelhorn in tight, hard lines so typical of his style.  Home Is Where the Music Is is a spiritual soul-jazz classic and is one of the greatest recordings in Masekela’s long career. If you don’t have it – go out an get a copy!

We are very excited about the number of young jazz and jazz-related musicians on the UK scene, based mainly in London. Maisha are one of these bands, part of the Jazz Re:freshed movement and featured on the new Brownswood compilation We Out Here. Inside the Acorn features Nubya Garcia on sax and flute, Jake Long on drums and Shirley Tetteh on guitar. What’s significant about many of these new bands is the gender balance – most (like Maisha, Nerija, the Camilla George Quartet and Dinosaur) all feature strong women leaders or instrumentalists. The third contribution from the new jazz scene came from pianist Ashley Henry. In fact, it was a remarkably straight-ahead tune from someone schooled in hip-hop and other contemporary sounds. The scene is varied and full of surprises.

Then there was new music from Poland. In the case of the first, from guitarist Marek Napiorkowski, we have to mention a player from the US because sax player Chris Potter is featured and plays strongly on The Way, a tune from the new album WAWNYC. I should add, however, that in the over forty albums that he has appeared on and his many performances around the world, Marek has played with a variety of people from across the globe, including Ursula Dudziak (originally from Poland but settled in the US), Angelique Kidjo from Benin, Dhafer Youssef from Tunisia (not Morocco as I said on the programme), Pat Metheny and Marcus Miller from the US.

The next Polish contribution was a really exciting find and thanks, once again, to Steve’s Jazz Sounds for introducing me to this. The Marcin Stefaniak Trio is an interesting combination of sax (Marcin Stefaniak himself) as well as drums and double bass. The title tune from their new album Unveiling makes subtle use of the drum set alongside the sax. The trio play contemporary European jazz with reference to folk and global sounds. Their music is about improvisation that is cool and  contemplative.

Talking of contemplation, that word could be used to describe the tune this week from our pianist of the moment, Cat Toren. Legacy (for A.C.) is, of course, a tribute to pianist and harpist Alice Coltrane and features a characteristic deep, reflective solo – much like Coltrane’s own music, of course. Toren’s EP Human Kind is another expression of the struggle for freedom and justice and it’s exciting that the jazz legacy of Hugh Masekela and others is being continued by a number of contemporary jazz musicians – see for example another trumpeter, Keyon Harrold, whom we have featured on Cosmic Jazz in several previous shows.

To end there was a short burst from Chicago DJ/mixer Mark Grusane – the tune will deserve a full outing another time.

  1. Piotr Wojtasik – Stay in Time of Freedom from Tribute to Akwarium
  2. Hugh Masekela – Part of a Whole from Home Is Where the Music Is
  3. Maisha – Inside the Acorn from We Out Here
  4. Ashley Henry – Deja Vu from Ashley Henry’s 5ive
  5. Marek Napiorkowski feat. Chris Potter – The Way from WAWNYC
  6. Marcin Stefaniak Trio – Unveiling from Unveiling
  7. Cat Toren’s Human Kind – Legacy (for A.C.) from Cat Toren’s Human Kind
  8. Shabadoo (Mark Grusane edit) – Do It from The Real Sound of Mark Grusane

Derek is listening to…

Neil is listening to…

Week ending 03 March 2018: snow not show…








Some of our worldwide listeners used to adverse weather conditions may be wondering why a little snow often seems to bring the UK to a grinding halt. Well, this year there seems to be more of it than there’s been for a while and so this week even Cosmic Jazz had to take a break because of the white stuff.

So as a treat for you to enjoy while having your hot chocolate with marshmallows, here’s some of Neil’s listening choices for this week – and some thoughts about each. Reminded of that wonderful snowy album cover, I listened again to the ever inventive Ornette Coleman Trio live from The Golden Circle in Stockholm, Sweden. This 1965 release is a great starting for anyone seeking to understand what Coleman does. He’s playful and mischievous on alto and David Izenson on bass and Charles Moffat on drums gel together almost psychically.

Next up is a nod to the buzz around the current British jazz scene. I could have chosen one of a dozen groups that are making waves in the UK and around the world but it’s Nubya Garcia’s latest release that I’ve gone for. Garcia’s appearance at last year’s SingJazz Festival (here in Singapore) would have opened many listeners in Asia to her sound and presence and she was a must to appear on Gilles Peterson’s latest Brownswood compilation – tracks from this new album on next week’s show. Garcia latest When We Are will be released on Bandcamp here from 08 March (the vinyl is already sold out!) and it will feature a couple of remixes too. For an idea about how all these great artists work together take a look at Kimberley Croft’s UK jazz family tree here at @ktcita. It’s an ongoing work but will give new listeners an insight into what’s happening on this developing scene.

The Tarkovsky Quartet are a product of an ECM recording which brought together cellist Anja Lechner and pianist François Couturier. Inspired by the work of Soviet filmmaker Andrei Tarkovsky, they went on to form the Tarkovsky Quartet, adding the  limpid soprano saxophone of Jean-Marc Larche together with accordionist Jean-Louis Matinier. Nuit Blanche is the title track of their new album on ECM.

The Tony Higgins complied J-Jazz compilation on BBE Records is getting a lot of attention at the moment and you can listen to the modal sounds of Tohru Aizawa via the link below. The privately pressed Tachibana album is something of a jazz holy grail – if you find one, keep it! Sacrament features Aizawa on piano and Kyochiro Morimura on saxes. Tony Higgins writes about the album on the excellent Vinyl Factory website.

Finally, a nod to jazz on audiophile hifi setups. Although there’s no substitute for the real thing, even Youtube can give an insight into the clarity and detail of a good vinyl record set up. Here’s Bob Wood’s home hifi playing one of the best versions of Corea’s new jazz standard Spain. Corea is blisteringly good on Fender Rhodes here. You’ll find more via Wood’s informative blogspot Music and Vinyl. Just make sure you’re listening in HD on a decent pair of headphones and you’ll be in for a surprise.

Neil is listening to…

Week ending 24 February 2018: saxophone sessions







This week’s show has a very different feel from last week’s deep jazz sounds. We began with a new discovery from Brazilian master Hermeto Pascoal and the lost Vice Versa studio sessions. The track is Casinha Pequenina – all 26 minutes of it. Recorded in Sao Paulo in just two days in 1976 and not released until November last year, this is exciting improvised music, most of it recorded in first takes and still unedited. Guitarist Toninho Horta is there but Nivaldo Ornelas on tenor saxophone is one of the highlights too. You can download the whole Far Out Records album from Bandcamp right here or find it at your local independent record store. If you like this, check out the epic Slaves Mass album recorded by Pascoal in the following year and (apparently) noted for the use of squealing pigs as one of the sound effects…

Next up was one of the edits from a new BBE Records release from the Chicago DJ and producer Mark Grusane, but featuring bandleader Choker Campbell who appeared (anonymously) as saxophonist on numerous Motown hits. Campbell was also the writer of Albert Jones’ track Mother Nature, with a string section famously sampled on the title track of one of our favourite rap albums, Common’s ecstatic Be. You can check out the wonderful Be (Intro) here.

Deep jazz is never far away from our playlists and it was a return visit to one of the best compilations from last year – this one featuring baritone sax maestro Hamiett Bluiett on the track Oasis from a Soul Note album from 1981, before heading leftfield once more with more new music. This time, the new artist is Polish/Danish band Beam, led by alto saxophonist Bartosz Czarniecki. The quartet also features Anna Roemer on guitar, Michał Nienadowski on bass and Emil Thorenfeldt on drums.

Trumpeter Marquis Hill made a name for himself in 2017 and he continues to surprise. His latest EP is simply called Meditation Tape and includes some spoken word comments from drummer Marvin ‘Bugalu’ Smith at the end of each track. It’s music to wind down with – whereas Daniel Crawford’s take on Fela’s classic Water get No Enemy is an upbeat way to end the show from his very under-rated jazz/neo-soul album The Awakening.

  1. Hermeto Pascoal/Grupo Vice Versa – Casinha Pequenina from Viajando Como Som/The Lost ’76 Vice-Versa Studio Session
  2. Choker Campbell edit. Mark Grusane – Carioca from The Real Sound of Mark Grusane
  3. Hamiet Bluiett – Oasis from You Need This: an Introduction to Black Saint & Soul Note 1975-1986
  4. Beam – Kerteminde from One
  5. Marquis Hill – Good Morning from Meditation EP
  6. Daniel Crawford – Water No Get Enemy from The Awakening

Neil is listening to…

Derek is listening to…

  1. Ntjam Rosie – Take A Good Look At me
  2. Ntjam Rosie – Never Give Up
  3. Anouar Brahem – Blue Maqams
  4. Nicholas Payton – Afro-Caribbean Mixtape
  5. Havana Meets Kingston feat Solis & Randy Valentine – Candela

Week ending 17 February 2018: ‘visionary’ jazz








The show this week was not the one I planned. I had worked out a carefully selected playlist, as usual, only to arrive at the studio to find a glasses case with no glasses. A quick search from my colleague found the first tune for me as I rushed to the car to find my driving glasses. These are not intended for close reading so this week’s show includes tunes whose titles I was able to make out on the screen. But – as it is with serendipity – the music works!

The first tune fulfilled a promise from last week when I went into raptures about the Cat Toren tune Soul. I expressed my feelings about this tune in last week’s Cosmic Jazz blog and Neil added much useful information. So I will say no more and hope that Neil can supply more of her music for future shows. [Neil notes] Yes he will! I feel the same about this excellent New York-based artist. It’s worth repeating some of the liner notes I quoted on this blog for last week’s show:

These compositions are inspired by both the free form jazz of the 1960s and a personal expression of the resurgent civil rights movement that is upon us. Jazz has always been music of expression and of the people. In the late 60s, as John and Alice Coltrane and their contemporaries were bringing jazz to new levels of experimentation and cross-culturalism, the sociopolitical climate was fraught with tension… America has come a long way, but this recent regression is a wake up call that the work is far from over.

And, of course, Toren is right. There’s a long history of jazz addressing civil rights issues and Toren and Harrold are just two of the many current musicians focusing on these issues in their chosen art form. Buy this music and you’ll help to benefit organisations fighting for civil liberties and human rights. Go to this Bandcamp link and download the Human Kind EP – then spread the word!

A familiar artist I could make out on the screen was Polish trumpeter Piotr Wojtasik (above) and, as any regular listeners or readers of this blog will know, I do not need much of an excuse to play his wonderful music, particularly from the album Old Land. It is uplifting music and with a poignant title to this week’s tune Recognition, Understanding, Acceptance.

There was a tune from a new Polish album Hourglass by the Szymon Lukowski Quintet. The leader plays tenor and alto sax and the quintet is made up with vibes and marimba, bass, drums and a featured guitarist from Austria, Hannes Riepler. As always with the East European  jazz you know where to find it – the ever reliable Steve’s Jazz Sounds.

Neil has a drummer of the moment and it is Makaya McCraven. He describes him as a beat architect. The album In the Moment comprises mostly short tracks recorded live and then edited, mixed and worked on in the studio. The result is something like the explorations of Teo Macero with Miles Davis – an innovative rewiring of the original jams.

A big favourite among many lovers of jazz-related music for the last couple of years has been saxophonist Kamasi Washington and what better way to  celebrate his 37th birthday than to play a track from his excellent 2017 EP Harmony of Difference. It’s a scaled down release after his 3CD masterpiece The Epic, but one well worth exploring. All the usual trademarks are there – a big sound, a big choir and a big-sounding lead tenor player. Great music.




It is not easy to take on a Fela Kuti tune. It was a risky move for the Ezra Collectivewho are part of the new London jazz scene which is getting a lot of mainstream press attention at the moment. In fact, this year’s Friday lineup for London’s Field Day festival there’s so many of these new young artists it almost amounts to a (very welcome) takeover. The Ezra Collective certainly mix it up on their first EP with a melange of dub, jazz and afrobeat.  Their take on Fela’s Colonial Mentality is really inventive and the results are  surprisingly good – even to the ears of someone as besotted with his music as me.

The African feel continued with a track from The Oneness of Juju. James ‘Plunky’ Branch has led a number of incarnations of this group and this one produced the excellent Space Jungle Luv album. It was originally issued in 1976 and subsequently reissued by the enterprising Strut label, who also put out a now hard-to-find 2CD compilation. African Rhythms is a well anthologised tune though, and you’ll find it on a number of compilations. Early in his career, Branch recorded with the influential Strata East label and – by some accounts – knew both Sun Ra and Ornette Coleman. Pedigree…

To end this week’s show we went back to a classic tune, but in a recently released version. Thelonious Monk’s Light Blue comes from the excellent 2017 release Les liaisons dangereuses, the soundtrack to Roger Vadim’s 1957 film. Along with Sam Jones on bass and Art Taylor on drums, the music features tenor saxophonists, Charlie Rouse and Barney Wilen. This 2CD release is a great lost great recording and well worth investing in to celebrate Thelonious Monk’s centenary year. Your jazz fact for this week is that Monk is (still) one of only five jazz musicians to have ever graced the cover of the celebrated Time magazine – an achievement not even Miles Davis realised. Genius.

  1. Cat Toren’s Human Kind – Soul from Human Kind
  2. Piotr Wojtasik – Recognition, Acceptance, Understanding from Old Land
  3. Szymon Lukowski Quintet – Hourglass from Hourglass
  4. Makaya McCraven – The Jaunt from In the Moment
  5. Kamasi Washington – The Truth from Harmony of Difference EP
  6. Ezra Collective – Colonial Mentality from Chapter 7 EP
  7. Oneness of Juju – African Rhythms from Space Jungle Luv
  8. Thelonious Monk – Light Blue from Les liasons dangereuses soundtrack

Neil is listening to…


Week ending 10 February 2018: more 2017 jazz from Poland and the US








In this first live show of 2018, Cosmic Jazz caught up with some great music from the old year. Technical problems aside there was some great music to listen to – click that MixCloud tab (left) and check it out.

Up first was a moving track from one of my favourite discs of 2017. MB Lament from Keyon Harrold’s sophomore release The Mugician is a tribute to Michael Brown, the young man shot dead by police in Harrold’s home town of Ferguson, Missouri in 2014. The Mugician is a good example of the way in which many current jazz artists seek to explore the boundaries of their music: there’s reggae, neo-soul, spoken word and some inspiring orchestration here. Harrold’s sound is close to Terence Blanchard’s and it’s all bound up in a socially conscious framework. This music means something – and that’s Harrold’s intention.

There is still some interesting Polish music to catch up on from 2017. The Improvisation Quartet on their debut album have produced what a Polish critic described as one of the finest moments in Polish jazz for 2017. The musicians play tunes based on folkloric song using clarinet, double bass, drums and piano – and it’s co-ordinated by the  outstanding Dominik Wania, who we have met already on Cosmic Jazz.

Another debut album came from the Patrycjusz Gruzecki Trio. Gruzecki himself is a trumpet/flugelhorn player  and combines with the interesting mix of drums and Hammond organ, which provides both swing and  groove to the music. More conventional is the pianist Kuba Stankiewicz (see photo above) – a more established member of the Polish jazz scene. His record is a dedication to Henryk Wars, a composer of Polish jazz standards. The music is mainstream but has a calming effect especially when played among some of the less conventional material on the programme.

From time to time you hear music that is simply amazing, music that leaves you in awe and wonder, music that moves you physically and spiritually. Neil, my co-presenter of Cosmic Jazz has just introduced me to a new example. Cat Toren is a pianist leading a band which she says is inspired by the jazz of the 60s and 70s but music, though, is so much more than a re-working of the past – it is simply wonderful. So much so, that I will not be able to resist playing the same tune all over again next week and after that I hope Neil will have more of her music available to play. Check out some of her live performances on YouTube (see Neil’s listening selections for the previous week’s show) but – more importantly – go and buy this album. [Neil notes] Joining Toren on keyboards are Xavier Del Castillo on sax, Yoshie Fruchter on guitar and oud, Jake Leckie on bass and Matt Honor on drums. Toren’s liner notes are worth quoting: These compositions are inspired by both the free form jazz of the 1960s and a personal expression of the resurgent civil rights movement that is upon us. Jazz has always been music of expression and of the people. In the late 60s, as John and Alice Coltrane and their contemporaries were bringing jazz to new levels of experimentation and cross-culturalism, the sociopolitical climate was fraught with tension. There were benefits held for the Congress Of Racial Equality (CoRE) at the infamous Five Spot Cafe, Nina Simone was singing Mississippi Goddam at Carnegie Hall and producer/concert promoter Norman Granz was demanding that venues adhere to mixed seating for his Jazz at the Philharmonic tours which featured artists such as Dizzy Gillespie and Ella Fitzgerald. America has come a long way, but this recent regression is a wake up call that the work is far from over.

And, of course, Toren is right. There’s a long history of jazz addressing civil rights issues and Toren and Harrold are just two of the many current musicians focusing on these issues in their chosen art form. Buy this music and you’ll help to benefit organisations fighting for civil liberties and human rights. Go to this Bandcamp link and download the Human Kind EP – then spread the word!

Also from Neil came Makaya McCraven, who Neil describes as the drummer of the moment. I can see why. His 2CD set In the Moment includes some of Chicago’s finest musicians and the tune on the show is a haunting, percussive piece. His music draws upon different musical genres but the spirit is definitely jazz.

The show ends with a short improvised piece from two British jazz masters – free saxophonist Evan Parker and celebrated bass player Dave Holland. Funds raised from downloads of the tune go to raising funds to save the Vortex Jazz Club in London. You can make your own contribution here.

Parker describes the Vortex as my haven from the demands of the road… the Vortex is for me, a space to play ‘free jazz’ I cannot imagine life without it’  New York-based Holland has dropped into the club on a few occasions to take in the odd Evan Parker gig as well as to take in the unique Vortex vibe created by the musicians who perform here and volunteers who look after the place. He says …the Vortex plays a vital role in the cultural life of London providing performance opportunities for both a UK and international community of musicians… its imaginative programming introduces new listening experiences to its audience. Both jazz greats will play sets live at the Vortex on 02 March 2018, donating 100% of ticket sales to the club.

  1. Keyon Harrold – MB’s Lament from The Mugician
  2. Improvisation Quartet – 193  from Free-Folk-Jazz
  3. Makaya McCraven – In the Moment from In the Moment
  4. Cat Toren’s Human Kind – Soul from Human Kind
  5. Kuba Stankiewicz Trio – Let the Chips Fall from The Music of Henryk Wars
  6. Patrycjusz Gruzecki Trio – First Flight from Something About
  7. Evan Parker and Dave Holland – Bass and Tenor Duet (untitled) – Download

Neil is listening to…

Derek is listening to..

Week ending 20 January 2018: CJ is back!








Derek returns after the Christmas break with some old Cosmic Jazz favourites, featuring music from Nigeria, the USA and Argentina. It’s a mixture of sounds to make you dance and connect your soul with your spirit. Most artists in this week’s show are likely to be familiar to regular listeners – with the exception of Francisco Mora Catlett, US drummer and son of the Mexican artist Francisco Mora and American sculptor Elizabeth Catlett.

Living in Mexico City, Mora Catlett began as a session musician for Capitol Records. In 1970, he was awarded to attend the Berklee College of Music, where he studied composition and African percussion with the iconic Nigerian drummer, Babatunde Olatunji who so influenced John Coltrane’s music.

From 1973 to 1980 Mora Catlett traveled the spaceways as a member of the Sun Ra Arkestra and it was Ra who introduced him to the African-American poet and writer, Henry Dumas. Inspired by Dumas’s writings, Mora Catlett assembled the first incarnation of his Afro Horn project in Detroit in the early 1980s. He appeared with legendary drummer, composer, and bandleader Max Roach on several of Roach’s all-percussion ensemble albums, M’Boom.

In 1996 Mora Catlett took part in two groundbreaking jazz/electronica fusion projects with techno producer, Carl Craig – Bugs in the BassBin and OuterZone – and in 1999, he released the highly acclaimed World Trade Music album which features the track Vital Force.

  1. Fela Kuti and Africa 70 – Roforofo Fight from Roforofo Fight/The Two Sides of Fela
  2. Francisco Mora Catlett – Vital Force from World Trade Music
  3. Gato Barbieri – Viva Emiliano Zapata from Chapter Three: Viva Emiliano Zapata
  4. Alice Coltrane – Radhe-Shyam from Transcendence
  5. Eddie Harris – Freedom Jazz Dance from The In Sound
  6. Donald Byrd – Black Byrd from Black Byrd

Neil is listening to…

Week ending 16 December 2017: featuring Piotr Wojtasik and more








Another revisit feature this week which came from superb Polish trumpeter Piotr Wojtasik. Either side of this the show begins with some very recent sounds and ends with a Herbie Hancock/George Coleman link.

The three tunes that kicked off the show provided fresh, tough and contemporary sounds. They came from the James Lewis Trio and the title track of their album No Filtertrumpeter Keyon Harrold (who we have played extensively in recent weeks and who’s the subject of a feature by Kevin Le Gendre in the current edition of the Black Music magazine Echoes) and Dziedzic, a Polish trumpeter who – after supporting other musicians for twenty years – now has his own record. The title of every tune on his album Tempo includes BPM and an accompanying number. So, at 143BPM, this one is right between Miles Davis’ So What (142) and Herbie Hancock’s Sly (146). It’s the ideal jogging or running tempo apparently…

Now, there is always time on the show for vocalist Jazzmeia Horn – deinitely one of the breakthrough artists of the year. Like Cecile McClorin Salvant and Gregory Porter she provides space for her excellent musicians and the jazz standard East of the Sun and West of the Moon was no exception

The revisit album this week is a definite favourite. Polish trumpeter Piotr Wojtasik has produced an album that stands up to the very best of modern jazz. CJ came across the stunning Old Land via the Polish and Scandinavian jazz specialist Steve’s Jazz Sounds. Steve has a comprehensive range of music from artists who often down’t get mainstream jazz press reviews – and that’s a good reason to promote them on Cosmic Jazz. As we have noted before, Wojtasik’s stature can be judged by the calibre of US musicians he has played with – Kenny Garrett, Dave Liebman and drummer Billy Hart, who features on this highly recommended record.

Our playlist is often affected by events during the week. An old contact/friend – who got me one of my first-ever DJ slots – posted an enquiry  on Facebook asking if  anyone could recommend music by the sax player George Coleman. Much in demand in the 1960s on Blue Note and beyond, at 82 Coleman is still leading his own quintet and recorded an album as recently as 2016. He played on Herbie Hancock’s classic album Maiden Voyage, and so we featured the title track (if you’re interested, around 118BPM). I and another friend recommended Amsterdam After Darkso it seemed appropriate to conclude the show with an excerpt from the Herbie Hancock standard followed by George Coleman’s title track from this excellent 1978 record which showcases the late Hilton Ruiz on piano.

  1. James Brandon Lewis – No Filter from No Filter
  2. Keyon Harrold feat. Josh David Barrett – The Mugician from The Mugician
  3. Dziedzic – 143 BPM from Tempo
  4. Jazzmeia Horn – East of the Sun and West of the Moon from A Social Call
  5. Piotr Wojtasik – Dr. Gachet from Old Land
  6. Piotr Wojtasik – Hola from Old Land
  7. Herbie Hancock – Maiden Voyage from Maiden Voyage
  8. George Coleman – Amsterdam After Dark from Amsterdam After Dark

Derek is listening to…

Neil is listening to…

Week ending 09 December: focus on Keyon Harrold and Charles Lloyd

Click the Mixcloud tab to hear this week’s show with two great jazz artists featured. One is Keyon Harrold from his new 2017 release album and the other is another example of our current feature to re-visit Cosmic Jazz favourites – and particularly to play tunes we may not have played before. This week the selections came from master saxophonist Charles Lloyd.

The show began with more from the labels described as the Italian equivalent of Blue Note – Black Saint and Soul Note. The tune this week was a wonderful modal piece from US saxophonist John Stubblefield who was a member of the Mingus Big Band, but who also played with a long list of top US jazz artists.

Trumpeter Keyon Harrold – as we mentioned last week – is one of the young US jazz players of the moment and someone who collaborates with other artists, both on their record and his own. His album The Mugician includes several collaborations, including the Wailer’s vocalist Josh David Barnett on a tune with reggae influences which we have played previously. There is a different collaboration on one of this week’s tracks: Her Beauty Through My Eyes features rapper Pharoahe Monch. Overall, The Mugician is not the uptempo album you might expect and MB Lament, our first tune from this recommended album, provides some calm and gentle playing. Other guests on this sophomore release include Robert Glasper, Bilal and Gary Clark Jnr.








The Charles Lloyd album selected for a re-visit was the superb Rabo de Nube – truly one of our all time favourite recommendations here on CJ. This ECM album was recorded live in Basel Switzerland on 24 April 2007. Besides Charles Lloyd on tenor saxophone and flute, the musicians are the superb Jason Moran on piano, (who somehow doesn’t sound so interesting on a solo album of his that I have), Reuben Rogers on double-bass and Eric Harland on drums and percussion. Normally, I cannot resist playing the wonderful Booker’s Garden which includes Moran at his very best but, in the spirit of what I set out to do with this feature of old favourites, I resisted the temptation and played two other equally absorbing tunes.

There was another track from the highly recommended Blue Note All-Stars album – an extended version of Wayne Shorter’s classic Witch Hunt. We have featured several tracks from this excellent 2CD release: the track lengths are frequently self-indulgently long but somehow the quality of the ensemble playing ensures that it all works. We ended this week’s CJ with another cut from the excellent John Armstrong presents Afro-Beat Brazil, one of our favourite re-issue compilations of 2017.

  1. John Stubblefield – Confessin’ from You Need This: an Introduction to Black Saint and Soul Note
  2. Keyon Harrold – MB Lament from The Mugician
  3. Keyon Harrold – Her Beauty Through My Eyes from The Mugician
  4. Charles Lloyd – Prometheus from Rabo de Nube
  5. Charles Lloyd – La Colline de Monk from Rabo de Nube
  6. The Blue Note All-Stars – Witch Hunt from Our Point of View
  7. Lucas Santtana – Musico from John Armstrong presents Afro-Beat Brazil

Neil is listening to…

Week ending 02 December 2017: making connections

Jazz musicians are flexible and move around to play in different groups. Often, they need to do so in order to make a living – you have to be very successful to limit your playing to one group only. Even then, the most successful appear as guests on the records of others – as, for example, Wayne Shorter and Herbie Hancock who appear on the Blue Note All Stars record we have featured on recent shows.

The first three tunes on this week’s Cosmic Jazz illustrated this perfectly. The show began with Otis Brown III and the trumpeter on that record was Keyon Harrold. This was followed by a tune from The Mugician, Keyon Harrold’s sophomore release as leader. Playing sax on that record was Marcus Strickland – who also appeared on the third tune from the Blue Note All Stars. Also with the Blue Note All Stars are Robert Glasper and Derrick Hodge, both of whom played on the Otis Brown III record. Oh, and Keyon Harrold is also featured on Marcus Strickland’s Twi-Life album – another CJ favourite. It sounds complicated, but it’s just part of the interconnected nature of jazz – musicians adding their ‘voice’ to a new context to make music with friends and labelmates. CJ highly recommends all three of these albums as places to start checking out some of the best American new jazz artists.

Having talked on last week’s show about the current crop of British jazz artists, it made sense to revisit one of our favourites from an earlier era. The Don Rendell/Ian Carr Quintet was perhaps the greatest jazz group to come out of the UK in the 1960s. Ian Carr went on to form the jazzrock group Nucleus and become a definitive biographer of Miles Davis. Many of their albums are CJ favourites – for an introduction, start with Dusk Fire or Shades of Blue – reissued on a 2CD set on the excellent BGO label.

I decided to re-visit some old Cosmic Jazz favourites and will from time to time on the show play two tunes from favourite albums. I began this week with an artist who has probably appeared on the show as much as any – alto saxophonist Kenny Garrett. His fine Seeds From the Underground album of 2012 coincided with me seeing a live performance of his group, and so has a particular resonance. Garrett is one of those alto sax players with a very distinctive ‘voice’ – whether it’s his earlier work with Miles Davis or his most recent Mack Avenue label records his sound is immediately recognisable. Check out the title track from one of our favourite albums, Beyond the Wall.








Somi is an artist I have played quite frequently on the show, particularly The Lagos Music Salon inspired by her year in Lagos. I have just, however, revisited her 2017 release Petite Afrique and found an impassioned account of the effects of gentrification, with reference to Harlem, New York. Interesting vocals and interesting musical arrangements.

The show this week ended with another excellent piece of contemporary jazz from Poland courtesy of trumpet/flugelhorn player Lukasz Korybalski.

  1. Otis Brown III – The Way (Truth & Life) from The Thought of You
  2. Keyon Harrold – Ethereal Sounds from The Mugician
  3. The Blue Note All Stars – Meanings from Our Point of View
  4. Don Rendell/Ian Carr Quintet – Blue Mosque from Shades of Blue
  5. Kenny Garrett – Boogety Boogety from Seeds from the Underground
  6. Kenny Garrett – Seeds from the Underground from Seeds from the Underground
  7. Somi feat. Aloe Blacc – The Gentry from Petite Afrique
  8. Lukasz Korybalski – Crossing from CMM

Neil is listening to…