15 June 2016: crossing genres

fania all starsAvailable on the MixCloud tab from CJ this week are some favourite records from the last year or so, plus a couple of older tunes. Make sure you check out all the links embedded below for max effect!

First up was a track from an old recording released in 2011 by the always-reliable Strut Records as a 40th anniversary CD and DVD of The Fania All Stars playing live at The Cheetah, New York. I played this in memory of a friend who back in the 1970s lent me two remarkable download (2)vinyl records – now rare collectors items – of the All Stars, live on Virgin Records. This was my introduction  to Latin music, and it’s been a passion that has remained strong ever since. Of course, the link between Latin music and jazz has always been there – and they come together in the umbrella term Latin jazz. Coined during the 1950s by the American media, it’s a simplistic description of a very complex cultural melting pot. There are, after all, 22 countries in Latin American with each one having an extraordinary diversity of rhythms, styles and genres that represent the individual cultural mixes of that country and its region. We selected Ray Barretto’s Cochinando, the lead off track from this excellent record of one of the most influential Latin concerts ever.

Cover_KoutéJazz-350x350Just one of those many Latin permutations was shown in the next selection from the excellent Koute Jazz compilation on French label Heavenly Sweetness. This time it was a group from Guadeloupe using Brazilian rhythms to invoke memories of the island’s original inhabitants. Catch the lovely Fender Rhodes on this one! Ed Motta is Brazilian – but don’t go to his new album Perpetual Gateways if you are looking for stereotypical Brazilian sounds. While Motta’s previous album AOR (a self conscious tribute to ‘adult oriented rock’) was a slick Steely Dan-esque affair, the new one works at delivering both soul and jazz – in fact, it’s presented as two suites of five songs each – one called Soul Gate and the other Jazz Gate. Produced by Kamau Kenyatta (Gregory ed motta perpetual gatewaysPorter) and featuring an impressive supporting cast that includes such west coast session luminaries as Patrice Rushen, Greg Phillinganes, and Hubert Laws, Perpetual Gateways is a delight. We played I Remember Julie which features Rushen and an extended acoustic piano solo – a long way away from the smooth jazzfunk of Forget Me Nots!

Ameen Saleem appeared again this week but in jazz rather than soul/R’n’B mode – both of which sit happily on his genre-hopping new release The Groove Lab. It’s great to see the current crop of US jazz artists adopting this more freewheeling approach – and making it work. We’ll be checking out saxophonist Marcus Strickland’s latest album along with the Miles Davis/Robert Glasper R’n’B collaboration, Everything’s Beautiful in future shows.

st germainOne of my very favourite records of  the last twelve months has been another record that crossed genres. St Germain is the third album from the eponymous French artist (Parisian producer Ludovic Navarre) and is a superb example of how jazz, Malian blues and contemporary beats can be merged into a seamless whole. If you do not have this record, then we regard it as an essential must-have: it may not have the spell-binding blend of jazz and house that so characterised Tourist, but it is an excellent addition to the genre crossing canon. It’s worth comparing the lead off track on St Germain (Real Blues which features Lightning Hopkins) with its spiritual predecessor from Tourist (Sure Thing with John Lee Hooker). Navarre is a late headline addition to next month’s Love Supreme jazz festival – check him out if you can.

marshall allen and the arkestraEuropean jazz, so integral to CJ, was represented this week via the Czech Republic from Ondre Sveracek and the Petr Benes Quartet – check the subtle horn playing on this one. Of course, Thomas Stronen from Norway had to appear again and to end the show we travelled the spaceways once more with the Sun Ra Arkestra under the direction of 92 year old Marshall Allen.

  1. Fania All Stars – Cocinando from Our Latin Thing
  2. Guadeloupe Reflexions – Samba Arawak from Koute Jazz
  3. Ed Motta – I Remember Julie from Perpetual Gateways
  4. Ameen Saleem – Korinthis from The Groove Lab
  5. St. Germain – Family Tree from St. Germain
  6. Ondre Sveracek – Meditation from Calm
  7. Petr Benes Quartet – My Little Ruth from Pbq+1
  8. Thomas Stronen – As We Wait For Time from Time Is A Blind Guide
  9. Sun Ra Arkestra – Galactic Voyage from Song For The Sun

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