This week is the usual mixture of the new and old, some of it influenced by groups I have recently seen live – or am about to see. Check the MixCloud tab to hear some eclectic choices.
On 21 November I am off to hear the Camilla George Quartet at the Cambridge Jazz Festival which has a varied and interesting programme. It looks as if it’s now a fixed item in the jazz calendar – good news. I have enjoyed the Quartet’s record Isang so the tune Lunacity was a timely taste of what I can expect to hear soon – quotes from St Thomas (and Salt Peanuts too) suggest a direct Caribbean connection. The Quartet are collaborators with other jazzers on the current London scene – you can check out Daniel Casimir’s new release here on the jazzre:freshed section of Bandcamp. Expect more and a report on the Camilla George gig next week.
There’s been an Afro-Cuban flavour to CJ recently so I extended this further. After hearing it once again on my shuffle songs I could not resist playing again a tune from the Orchestre Dakar Band, who were a group of young Senegalese students living in Abidjan. This tune was there to make the Senegalese youth dance – beware, it could have the same effect on you! Listen out, in particular, for the wild trumpet blast during the instrumental break in the tune. It is another example of the influence Afro-Cuban music had, and indeed still has, in West Africa. The track comes from a compilation of Senegalese Afro-Latin music.
The other Afro-Cuban piece this week came from the influential band leader Machito, whom we have played recently supporting other artists. Here he is, though, as the front man to his own New York big band on the track Tibiri-Tabaro from an excellent Charly Records compilation. Check out this club favourite from the same disc.
Neil has introduced me to an excellent compilation of music from the music from Black Saint and Soul Note labels which have been described as the Italian equivalent to Blue Note. The label managed to attract some top-notch US artists to its stable, as embodied in this week’s selection from Don Pullen featuring cult US saxophonist Sam Rivers.
It may be a month late, but CJ this week also took time to remember Theolonius Monk on his centenary, 10 October 2017. The tune Misterioso has been used at the London Jazz Festival as a basis for performances about his life and work.
The Polish section, another regular CJ feature, this week included the young trumpet/flugelhorn player Lukasz Korybalski from his exciting 2017 release CMM. Great, contemporary-sounding jazz, strongly recommended. The other tune came from one of my favourite Polish musicians, trumpeter Piotr Wojtasik and his stunning album Old Land. Wojtasik’s stature can be judged by the calibre of US musicians he has played with – Kenny Garrett, Dave Liebman and drummer Billy Hart, who features on this highly recommended record.
Mammal Hands is a band I have seen recently in their home city of Norwich. To be honest, their most recent material has not had a great impact on me but their previous album Floa is fantastic, so I settled for a tune from there. Another band I saw in Norwich, albeit a couple of years ago, was the Anglo-Norwegian combination assembled by percussionist Thomas Stronen for his superb ECM album Time is a Blind Guide. It was time to return to this record to close the show.
- Camilla George Quartet – Lunacity from Isang
- Orchestre Dakar Band – Baylen Di Yelwane from AfroLatin Via Dakar
- Machito – Tibiri-Tabara from Nuyorican Hits
- Don Pullen feat Sam Rivers – Joycie Girl from You Need This, Intro to Black Soul & Soul Note 1975 – 85
- Theolonius Monk – Misterioso from The Best of the Blue Note Years
- Lukasz Korybalski – CMM from CMM
- Piotr Wojtasik – Recognition, Understanding & Acceptance from Old Land
- Mammal Hands – Kudu from Floa
- Thomas Stronen – I Don’t Wait for Anyone from Time is a Blind Guide
Derek is listening to…
- Kenny Garrett – Seeds From The Underground
- Don Cherry – Rhumba Multikulti
- Steve Colson & Unity Troupe – Lateen
- Gabriel Faure – Requiem
- Raging Fyah – Nah Look Back
Neil is listening to…