Over the years we have played a lot of jazz from the 1970s on Cosmic Jazz. In retrospect, there’s every indication that this was something of a golden age for the music. Many of the albums we’ve featured have been re-released and tunes have appeared on the numerous compilations that have emerged over the last decade, Some of these had previously been accessible only to a limited audience and so a wealth of treasures have been opened up to a new and wider audience. We have not always played much Japanese jazz from that period but this week’s featured release from British based BBE Records redresses the balance. Check out the music by clicking the MixCloud tab where you can hear this week’s show.
The album in question is called J-Jazz: Deep Modern Jazz From Japan 1969-1984. It is deep, it is modal and much of it has a spiritual quality and we featured three tracks from it. The first was from Takeo Moriyama, a musician who played the piano as a child but became a drummer as an adult. The tune Kaze was played again because the previous week’s show provided only a brief excerpt from it. Terumasa Hino is one of the most celebrated of Japanese jazz musicians – a trumpet/cornet/flugelhorn player who settled in New York in 1975. He played with a number of prominent US jazz musicians and among these was bass player Reggie Workman who not only had a tune in his praise but also played on it. As with all of the tunes this week we love this one. There’s always been a strong affinity between Japanese jazz-related music and the influence of Brazil music and a veteran musician of twenty-four albums, bass player Eiji Nakayama, is represented on the album by the track Aya’s Samba. J-Jazz is one of those albums on which every track is superb and so is a very definite CJ recommendation. Buy or download and enjoy this inspiring music.
There was, in fact, much in the programme that sounded spiritual. Diving is a new album from pianist Mark Springer, released in May this year. Springer is a contemporary composer/musician whose work ranges from solo piano to chamber works for piano to a forthcoming opera. The album features music recorded in solo piano concerts in Italy and the UK and spontaneously recorded in front of a live audience. At these concerts Springer compares himself to a swimmer diving into different pools and that he is trying to challenge my audience’s perception of what a piano concert is and the surprises that can lead to a completely new work composed in that moment. The outcome is impressive – what an experience for the audience. There will be more from this new release next week.
Quin Kirchner is featured via his track The Ritual which from single hearing you will recognise as an appropriate title. Saxophonist Nate LePine blows like a young Coltrane on this one and across this double album Kirchner has assembled a superb group to perform a mix of original compositions and jazz covers (including tracks from Charles Mingus and Sun Ra). He’s a drummer/percussionist from Chicago who spent time in New Orleans before returning to the windy city. Kirchner is perhaps most noted for his time with Nomo – check out their postrock/afrobeat/Sun Ra sound on this track. The Other Side of Time is his first solo release and it has – rightly – garnered a number of very favourable reviews. Another excellent artist that my colleague Neil has unearthed and made available to CJ.
There was more current music from Polish sax player Marcin Stefaniak with his trio. It is cool, contemplative, contemporary jazz – yet another of those many Polish jazz musicians whose work is recommended to our followers. There is a rich, varied and constantly evolving scene in Poland that is not always reflected in the jazz press here in the UK – on CJ we redress the balance where we can.
The one tune on the show that might struggle to gain the description as spiritual in feel came from Kaidi Tatham, UK multi-instrumentalist/DJ/producer and core member of Bugz in the Attic. Tatham was a influential presence in the West London broken beats/nu-jazz scene and he continues to fuse jazz with own twisted funk, boogie and electronica. He has done much to bring a jazz sensibility to club audiences and we applaud this here on Cosmic Jazz. For a sample of his current musical style, listeners are recommended to download Kaidi’s 5ive from the jazzre:freshed site.
- Takeo Moriyama – Kaze from J-Jazz: Deep Modern Jazz from Japan 1969-1984
- Mark Springer – Castello Di Potentino II from Diving
- Quin Kirchner – The Ritual from The Other Side of Time
- Marcin Stefaniak Trio – Wheelers from Unveiling
- Kaidi Tatham – I See What You See from Hard Times
- Terumasa Hino – Ode to Workman from J-Jazz: Deep Modern Jazz from Japan 1969-1984
- Eiji Nakayama Aya’s Samba from J-Jazz: Deep Modern Jazz from Japan 1969-1984
Derek is listening to …