It is interesting how some music is more appropriate to re-interpretation than others. We have all heard some awful cover versions, in fact, some musicians seem to make a living out of it. Classic Brazilian music, however, does not suffer from this. I have found countless examples of different recordings of the same Brazilian tune – both past and present – and most of them seem to work. The show began this week with a fine example of this. Firstly, an original 1979 recording of Tudo Que Voce Podia Ser (All That You Could Be) from guitarist/composer Lo Borges, and then a 2018 version from London saxophonist Sean Khan with, among others, Brazilian singer Sabrina Malheiros on vocal, Jim Mullen (the veteran guitarist from Scotland) and Andy Noble prominent on Fender Rhodes and piano. The original is a heavenly, soaring piece while new version is exciting and sounds like one of those interpretations you would like to see live. Compare both with the first appearance of this classic in 1972 on the classic Clube da Esquina album from Milton Nascimento and Lo Borges. If you don’t have this masterpiece – invest now…
There was a reference to Brazil in the title of the next tune, Recado Bossa Nova from Bulgarian pianist Kostov Panta Konrad and his trio comprising a Polish drummer and bass player. Their album manages to combine original compositions with interpretations – and good ones too – of classical composers Albinoni, Chopin and Gershwin.
Japan is never far away from the programme and this week’s contribution came from DJ/musical director/former member of United Future Organisation Toshio Matsuura. It was from an album released by the Gilles Peterson’s label Brownswood under the direction of UK drummer Tom Skinner. Change a really interesting take on Bugge Wesseltoft’s tune from his superb album of the same name. Compare with the original here.
In fact, Tom Skinner was to appear later in the programme as a member of Sons of Kemet, the band led by sax player Shabaka Hutchings. This is such an original and politically significant album. The tuba of Theon Cross is prominent and provides almost a New Orleans sound but there is much else going on – in particular, the overt political messages as Shabaka Hutchings identifies some of the queens that are important to him. The example this week was Nanny of the Maroons. It has not always been recognised that the enslaved in the Caribbean resisted and fought their colonial oppressors. The Maroons were a community of the formerly enslaved who escaped to the hills of Jamaica, where they lived in freedom and resisted the British. Nanny of the Maroons was one of the leaders of that resistance.
Some of us can remember record sleeve notes that reached the land of the fanciful (to put it mildly) in terms of the way they described the music. There is a recent album cover where the notes verge towards this. Apparently “They’re on a chessboard, grading on, trading off”. Unlike, however, many of the past examples, the music is excellent. The album in question is Blue Dream by the Jamie Saft Quartet. Great musicians led by Jamie Saft on piano. Bill McHenry on tenor sax, Bradley Christopher Jones on acoustic bass and Nasheet Waits on drums. Trivia point: Saft is undoubtedly the man with the longest beard in jazz.
The rest of the programme included another contribution from the lost John Coltrane album Both Directions At Once. It was a version of Impressions – surely one of ‘trane’s best, whichever interpretation you hear. That album will continue to feature on the programme in the coming weeks and probably beyond.
Someone whose sound suggests that he was influenced by Coltrane is Tony Burkill – but are there many tenor sax players who have not been? Burkill hails from Leeds, UK with contributions on his album Work, Money, Death from the Headingley Hand Choir, Neil Innes and Matthew Bourne. We followed up with more British music from the Ezra Collective, and then an upbeat ending from Finnish saxophonist Timo Lassy.
- Lo Borges – Tudo Que Voce Podia Ser from A Via-Lactea/Blue Brazil 1
- Sean Khan – Tudo Que Voce Podia Ser from Palmares Fantasy
- Kostov Panta Konrad Trio – Recado Bossa Nova from The Conversation
- Toshio Matsuura – Change from LOVEPLAYDANCE – 8 Scenes from the Floor
- Jamie Saft Quartet – Mysterious Arrangement from Blue Dream
- Tony Burkill – Work, Money, Death from Work, Money, Death
- Ezra Collective – Pure Shade from We Out Here
- Sons of Kemet – My Queen is Nanny of the Maroons from Your Queen is a Reptile
- John Coltrane – Impressions from Both Directions at Once
- Timo Lassy – Northern Express from Lassy Moves
Derek is listening to…..