Neil returned to Singapore this week and so the show featured his music choices, including some brand new releases. First up was the duo of drummer Rashied Ali and Frank Lowe with their free jazz album from 1973, recently re-released and sampled on a new Soul Jazz compilation (see below). Ali was the drummer in John Coltrane’s last recordings and this rare release was clearly a re-examination of the landmark 1967 Coltrane album Interstellar Space in which Coltrane and Ali recorded extended duo tracks. Frank Lowe was an up and coming tenor saxophonist who had already recorded with Alice Coltrane on her World Galaxy album in 1972. Whilst Lowe and Ali don’t rise to the free improvisational heights of the Coltrane recording, it’s an interesting experiment.
We then glided into a track from one of 2018’s best albums, Arve Henriksen’s The Height of the Reeds, which started as a commissioned work for the city of Hull, designated as Britain´s cultural capital 2017. Norwegian Henriksen, working with longtime fellow sound architects Eivind Aarset and Jan Bang, explored the longstanding seafaring relationship between Hull and Scandinavia using his muted trumpet to great atmospheric effect. The music was originally the companion to a sound walk that over 15,000 listeners accessed via headphones while walking across the Humber Bridge.
This year, Blue Note Records is 80 years old and one of its pioneer artists, saxophonist Wayne Shorter, is celebrating with a 3CD release on the label. But the package is even more ambitious in that it includes a space-themed graphic novel written by Shorter and the screenwriter Monica Sly and with a powerful graphic treatment from Randy DuBurke.
In the 1960s, Shorter recorded seven albums in three years with the Miles Davis Quintet, several featuring his own enigmatic compositions. But Shorter’s current ensemble, with Brian Blade on drums, Danilo Pérez on piano, and John Patitucci on bass often focuses on deconstructing older compositions, including tunes that are now part of the jazz standard repertoire. The new release is called Emanon (or ‘Nowhere’ backwards) and includes two discs of live material from Shorter’s Barbican Hall concert in November 2016. I saw the band a year earlier and would judge that concert as one of the finest performances I’ve ever seen. Emanon combines a four-part suite recorded with the conductorless Orpheus Chamber Orchestra with the other two discs of the quartet playing those pieces and others live in London. The best of the music is undoubtedly these two live discs in which Shorter revisits The Three Marias from his Atlantis album and Adventures Aboard the Golden Mean from the quartet’s 2005 album, Beyond the Sound Barrier. Drummer Brian Blade’s role is reminiscent of the great Tony Williams from some of those Blue Note albums – first he flickers the sticks all over his kit and then injects more explosive cymbal work. Shorter slithers around on both tenor and soprano saxophones, combining that distinctive gruff tenor tones with the clear piping sound he introduced on the soprano in his years with Weather Report.
Shorter turned 85 in November but he has unfortunately recently had to cancel his appearance at a four night SFJazz Center event. We wish this most gifted of jazz artists well and hope that his proposed opera with Esperanza Spalding sees the light soon.
The Kenny Clarke/Francy Boland Big Band was one of the most noteworthy European bands of its day. Between 1961 and 1972 they recorded fifteen albums, with the first being Jazz is Universal which featured the track Charon’s Ferry. A new release from keyboard player, DJ and producer Mark de Clive-Lowe is always welcome, even if it’s a compilation of some of his most recent projects. Leaving This Planet (2.0) was originally released in as a 5 track EP early 2011, but it’s now reissued via Bandcamp as a full length compilation of MdCL productions, collaborations, one-offs, B-sides and remixes. The new album Heritage will be released in early 2019.
One of our favourite new Polish bands (and there are many – see last week’s show for more) is EABS, or Electro-Acoustic Beats Sessions. Originating from Wroclaw in south west Poland, their musical influences come from far and wide. The band deconstructs hiphop and funk rhythms to create authentically new music, and the Puzzle Mixtape from 2014 fuses these varied influences into a sound that’s most like the recent work of self-proclaimed beat scientist Makaya McCraven, whose work is often featured on this show. Burgundy Whip features MED, a Californian rapper more at home with Madlib and Quasimoto. The Puzzle Mixtape is full of more exciting collaborations – check it out here on Bandcamp.
There’s always space for some great reggae on Cosmic Jazz and Protoje is a good example of where reggae is right now. With a high profile (including memorable collaborations with Chronixx) his two most recent releases are well worth exploring.
New York loft scene guitarist Marc Ribot is a veteran collaborator too. In the past, he’s worked with artists as varied as John Zorn, Tom Waits and Elvis Costello and his 2018 project is called Songs of Resistance 1942-2018. It’s a clear response to the election of Donald Trump and How to Walk in Freedom – one of the more jazz-influenced cuts on this most varied album – has some beautiful flute from Roy Nathanson. For something very different try Ribot’s work with his band The Young Philadelphians as they recast classic funk tracks into something very different – here’s their ragged live take on Van McCoy’s classic The Hustle.
Kitty Bey has recently been covered on Toshio Matsuura’s recent album but this week we went back to the original version from Byron Morris and his group Unity which features on a new Soul Jazz Records compilation along with the Rashied Ali and Frank Lowe piece that kicked off the show this week. This second Soul of A Nation album complements the first one, released to coincide with the London Tate Modern exhibition Soul of a Nation – Art in the Age of Black Power. This international exhibition is now at the Brooklyn Museum, New York and then travels to Los Angeles in 2019.
The new album features a number of important and ground-breaking African-American artists – The Art Ensemble of Chicago, Don Cherry, Funkadelic, Gil Scott-Heron and more – alongside a host of lesser-known artists all of whom in the early 1970s were exploring new Afrocentric poly-rhythmical styles of music – radical jazz, street funk and proto-rap – while at the same time exploring the Black Power and civil-rights inspired notions of self-definition, self-respect and self-empowerment in their own lives. It’s a worthy successor to the first album and – as often with Soul Jazz Records – includes an excellent illustrated booklet.
Butcher Brown may be a young band from Richmond, Virginia but their roots go deep into a wide range of jazz styles. For their Afrokuti release from August last year, they bridged jazz and afrobeat to good effect, especially on the track we chose – Tales From the Shrine.
Trumpeter Ambrose Akinmusire has just released what is probably his most ambitious album yet. Working in the Mivos String Quartet with a rapper has to be a challenge but, on the opening track of Origami Harvest, Musire makes it work perfectly. By the end of this long track, Akinmusire, drummer Marcus Gilmore, and pianist Sam Harris, come together with rapper Kool A.D.’s sound.
- Rashied Ali and Frank Lowe – Exchange (Part II) from Duo Exchange/Soul of a Nation compilation
- Arve Henriksen – Pink Cherry Trees from The Height of the Reeds
- Wayne Shorter Quartet – Adventures Aboard the Golden Mean from Emanon
- Kenny Clarke/Francy Boland Big Band – Charon’s Ferry from
- Mark de Clive-Lowe – Eight from Leaving This Planet (2.0)
- EABS (feat. MED) – Burgundy Whip from The Puzzle Mixtape
- Protoje – A Matter of Time from A Matter of Time
- Marc Ribot – How To Walk in Freedom from Songs of Resistance 1942-2018
- Byron Morris and Unity – Kitty Bey from Blow Thru Your Mind/Soul of a Nation compilation
- Butcher Brown – Tales From the Shrine from Afrokuti: a Tribute to Fela
- Ambrose Akinmusire – a blooming bloodfruit in a hoodie from Origami Harvest
Neil is listening to…