This week’s Cosmic Jazz featured tracks from some of the Jazzwise best of 2018 releases along with a focus on female vocalists, including the recently departed Nancy Wilson. We began with a little cracker of a track though – Harold Land’s In the Back, In the Corner, In the Dark originally from his 1972 album Damisi, but now available on of one of two recent Mainstream Records compilations. This gem has Land on tenor sax, Oscar Brashear on trumpet, Buster Williams on bass and Ngudu on drums. Then we travelled in a more mellow direction – but rather controversially in that neither Derek nor I are convinced by the current approach being taken by one of our jazz heroes, Charles Lloyd. His Vanished Gardens may have secured the overall top spot in Jazzwise this year but we’re not so sure. It’s certainly a bold move: Lloyd is accompanied by vocalist Lucinda Williams on several of the tracks and Greg Liesz on pedal steel joins with guitarist Bill Frisell. The group have certainly integrated their sound since a first collaboration in 2016 but this melange of Lloyd’s post-Coltrane accents and Frisell’s Americana tendencies is still something of a curiosity. We shall keep listening…
Next up were vocalists Cecile McLorin Salvant and Nancy Wilson. The former has a new album in which she is accompanied only by pianist Sullivan Fortner. Like Lloyd’s new direction, this is a bold move, but the quality of McLorin Salvant’s arrangements and the vocal risks she takes make her new album Windows an unalloyed success. Elsewhere on the record is a stunningly original take on West Side Story’s Somewhere and an equally adventurous reading of Dori Caymmi’s Obsession. We ended our show this week with a second track, Jimmy Rowles’ The Peacocks – made famous in this version by Stan Getz. McLorin Salvant presents it in the version with lyrics by Norma Winstone and there’s additional tenor sax from Melissa Aldana. For another interesting twist on this almost-standard, try this take on John McLaughlin’s underrated album The Promise. But perhaps the best interpretation (not unexpectedly) is that of pianist Bill Evans on the posthumous album You Must Believe in Spring.
Singer Nancy Wilson sadly died in December 2018. She recorded over 70 albums and won three Grammy awards, but she is still less well known than she should be. We presented two cuts from her celebrated 1962 collaboration with the Cannonball Adderley Quintet which featured a great take on the standard A Sleeping Bee. Heretical it might be, but I love this more Broadway version from Barbra Streisand too!
Benin singer Angelique Kidjo performed her exciting new project in in London and elsewhere in 2017 before releasing it on record last year. It’s her take on Remain in Light, Talking Heads’ seminal album from 1980, which showed the NY artpunk band stretching out with the help of producer Brian Eno and a bunch of additional musicians. We played the opening cut on both versions of the album – Born Under Punches (The Heat Goes On). If you don’t know the Talking Heads original, here it is… It’s a bonafide classic and a worthy listen for anyone who likes great music in any genre. What Kidjo has done is – to some extent – reclaimed the African influences of the original, enhancing them with New York afrobeat band Antibalas and, on a couple of tracks, recruiting Tony Allen himself, the magisterial creator of afrobeat rhythms. It seemed appropriate then to follow this with a track from the septuagenarian drummer’s latest collaboration – this time with Detroit techno master Jeff Mills. Most of their new EP works really well and our featured track Seed is a good example.
We’ve enjoyed a lot of Indian-inflected music over the last year, and none more so that the superb live recording created by Sarathy Korwar that we’ve featured over the last few weeks. But back in the day, many jazz artists were exploring similar territory. A relatively rare 1974 release on ECM Records, Dave Liebman’s Drum Ode featured tabla from Badal Roy and Collin Walcott. We played Satya Dhwani (True Sound).
Another well received new release from 2018 was pianist Brad Mehldau’s new album Seymour Reads the Constitution!, the title apparently a reference to a Mehldau dream. The quality of performance is typically universally high with Mehldau’s usual trio collaborators Larry Grenadier and Jeff Ballard in fine form.
We ended the show with more from our featured vocalists Nancy Wilson and Cecile McLorin Salvant along with a new original composition from that Charles Lloyd and the Vanished Gardens album.
- Harold Land – In the Back, In the Corner, In the Dark from Damisi/Innerpeace: Rare Spiritual Funk and Jazz Gems
- Charles Lloyd and the Marvels – Monk’s Mood from Vanished Gardens
- Cecile McLorin Salvant – Visions from Windows
- Nancy Wilson/Cannonball Adderley – A Sleeping Bee from Nancy Wilson/Cannonball Adderley
- Angelique Kidjo – Born Under Punches (The Heat Goes On) from Remain in Light
- Tony Allen/ Jeff Mills – The Seed from Tomorrow Comes the Harvest
- Dave Liebman – Satya Dhwani (True Sound) from Drum Ode
- Brad Mehldau – Almost Like Being In Love from Seymour Reads the Constitution
- Nancy Wilson/Cannonball Adderley – The Masquerade is Over from Nancy Wilson/Cannonball Adderley
- Charles Lloyd and the Marvels – Blues for Langston and La Rue from Vanished Gardens
- Cecile McLorin Salvant – The Peacocks from Windows
Neil is listening to…