Available to you this week at the touch of the Cosmic Jazz MixCloud tab – music from Poland, Cuba, the US and UK.
Poland is the first stop. We have said it before, but it is worth repeating that there is a wealth of new music coming out of Poland and much of it getting recognised beyond the borders of the country. Stockists such as Steve’s Jazz Sounds have done much to make easy access to the music possible. Many of the bands are young too and their influences are many and diverse – like many of the current jazz musicians we feature here on CJ. There are two examples this week. The Tubis Trio are led by pianist Maciej Tubis and Flashback (great album cover!) is their second release. The title tune comes complete with its own flashback moments... Monosies are a quintet led by guitarist/composer Lukasz Komala and Stories of the Gray City is their debut album. Do these tunes present further examples of what is often referred to as Polish melancholy? I am not sure – we leave that judgement to you.
From Cuba came more music this week from pianist Harold Lopez-Nussa and his new trio album Un Dia Cualquiera – which translates as Just another day. In some ways the music is firmly in the tradition of the piano/bass/drums trio tradition, but with this record the Cuban flourishes are integral to Lopez-Nussa’s sound. The music references back to a number of Cuban styles, including Yoruba chants, rumba, descarga and – on our choice this week – an old bolero-style classic from 1946. But don’t think that all this roots referencing has created a traditional album – far from it. It’s a joyous contemporary celebration of a deep musical heritage that is an ongoing musical exploration
Ok, so we all know John Coltrane was a genius – it’s a naive truism in jazz – and, of course, his influence is still with us through many of the younger generation of jazz soloists. But, listening again to the 2018 Impulse! release Both Directions at Once: the Lost Album, made me stop and simply say, yes – this music really does take us to another place. But what is it about Coltrane’s music that’s so influential? Well, a good place to start might be with this Earworm analysis of Coltrane’s iconic Giant Steps, surely an influence on pretty much every contemporary jazz musician. Why? Well, you don’t need to be a musician to understand the significance of the circle of fifths – a musical principle that guided ‘trane’s musical explorations – but the video will give you renewed sense of John Coltrane’s musical mastery. The image here is Coltrane’s own hand-drawn annotated circle of fifths – and check out Derek’s Coltrane listening choice below which features a graphic based on this musical principle.
All of this suggested it was a good time to play Coltrane again and follow this with a contemporary musician who has clearly been influenced by him. Coltrane’s classic quartet released the tune Tunji in 1962 as part of the album just called Coltrane. McCoy Tyner is on piano, Jimmy Garrison on bass and Elvin Jones on drums. It’s simply a masterpiece and you owe it to yourself to check out the complete version of this Impulse! album as it contains five alternate versions of the tune.
One of our CJ favourites, Manchester-based saxophonist Nat Birchall has just released his version of Tunji as a single. You don’t get the piano and bass features of the Coltrane version – rather Nat Birchall blows his sax all the way through on what is a much shorter version. But it stands up well – a praiseworthy achievement. Respect is due, as they say. You can still get the 7inch single or download Tunji along with Mode for Miles (also from the Coltrane album) from the ever-reliable Bandcamp site here. It’s also well worth seeking out all of Birchall’s work from his earliest albums like Akhenaten through to his most recent release Cosmic Language on the Jazzman label.
While in the groove of playing those influenced by Coltrane it seemed appropriate to feature something more from Kamasi Washington and his most recent release Heaven and Earth album. Washington has been championed in Cosmic Jazz for a good few years now, and his 2018 3CD release doesn’t disappoint. It’s full of lengthy, sometimes overblown tracks but the spiritual jazz legacy of Coltrane and others is undoubtedly there and Washington is a powerful force in the jazz new wave. Heaven and Earth is highly recommended as is The Epic from 2016 and – a really good place to start for Washington novices – the Harmony of Difference EP.
We ended the show with a tune by UK DJ/producer/musician Kaidi Tatham, formerly of the influential Bugz in the Attic collective. As producers and remixers to many in the London broken beat scene, the Bugz released a couple of excellent compilations of their work – both worth looking out for. Tatham is now a prolific artist and producer in his own right having worked with Amy Winehouse, Slum Village, Mulatu Astatke, Soul II Soul, Amp Fiddler, Macy Gray, King Britt and DJ Spinna, Like the two Tunji selections, I See What You See was one of Neil’s selections and – at last – it got an airing. It’s an example of one of those many tunes we play on the show, without apology, which stretch beyond the boundaries of what some might call jazz. We love it. Tatham’s newest EP (released in October 2018) can be found here – again on Bandcamp.
- Tubis Trio – Flashback from Flashback
- Monosies – Passages from Stories of the Gray City
- Harold Lopez-Nusa – Contigo en la Distancia from Un Dia Cualquiera
- John Coltrane – Tunji from Coltrane
- Nat Birchall – Tunji from single release
- Kamasi Washington – Vi Lua Vi Sol from Heaven and Earth
- Kaidi Tatham – I See What You See from Hard Times
Derek is listening to…
- Jah 9 – Steamers A Bubble
- John Coltrane – Untitled Original 11383
- Maisha – Azure (live in Brownswood Basement)
- Ashley Henry Trio – St Annes EZH Sessions
- Frank Morgan – Lullaby
Neil is listening to…